The second part of the penultimate scene sees the Duck cornered in the Hunter's attic/trophy room, as indicated in the previous rotoscoping entries. Here are some more backgrounds:
For the Hunter's POV shot. Over the course of the scene this backdrop gets incrementally more cracked and damaged as the Hunter starts getting trigger happy.
The Duck's POV, only required for one tiny shot so I made it pretty simple.
This is for the wide shots where both the Duck and Hunter are in frame. As the walls are adorned with guns and trophies and the like I've had to tone down the lighting to keep the eventual comped shot from being too cluttered.
These close-ups of the mounted animals are for when the Duck halfheartedly tries to justify his desire for revenge, then quickly abandons the argument and confesses it's all for 'shits and giggles'. The bird in the last drawing is based on one of my favourite album covers:
Best I can tell this would be considered fair use. The original photo is by Werner Krutein of Photovault.
While the storyboard calls for a final scene's worth of backgrounds, I'm not entirely sure whether or not I should leave the film's ending as a cliffhanger. Depending on how much time I have this may end up being the last background entry.
Pity. It's so much easier doing this stuff when nothing has to move.