Movin' right along...

Before I crack on with the latest round-up, I wanted to make a point of saying that the 30th edition of the Encounters Film Festival was absolutely fantastic. Much love to everyone who voiced their enjoyment of the selection; after a few years of animated shorts not getting their own dedicated strand, it means more than you know. All being well, we'll be back again next year for an even bigger and better edition.

As one festival ends, another is ramping up. It's looking to be another superb Manchester Animation Festival up North this November with a whole host of animationey goodness on offer. Chuffed to be presenting mine and Laura-Beth's book Intimate Animation (6pm 11th Nov, Manchester Central Library) as well as another all-new Skwigly Screening (7pm 12th Nov, HOME). Of course, Steve and I will be inflicting another edition of the Skwigly Quiz on festivalgoers right after (8:30pm 12th Nov, HOME). So get your diaries out and pencil 'em in.

Some nice news on the Intimate Animation front, in the October issue of the rather splendid BFI magazine Sight & Sound it has been selected as Editor's Choice by reviews editor Katie McCabe. I'm sure most of you reading likely already have a subscription, but just in case you can grab yourself a copy of the issue here. If you didn't make the Encounters presentation and missed getting your hands on a copy, the fine folks at the Arnolfini bookshop have held a few copies back at the same discount, so pay them a visit and grab it while you can. Failing that, the publisher currently has a site-wide sale, so if you buy it directly from them you'll get 20% off. Better than a kick in the pants.

If you're in the market for some inspirational podcast listenin', you'll want to check out the latest episode of Animation One-To-Ones featuring absolute legend and stalwart pal o' Skwigly, Joanna Quinn. We mainly discuss her work with the initiative AC4Pal (Animation Community for Palestine) in support of the efforts of Gaza-based educator Haneen Koraz, which recently culminated in the global anijam To Gaza with Love, which brought together 329 short films from over 50 countries. Joanna is always a joy to listen to, so give it a stream, watch or download; she also has a book of her own out now, so give that some love too while you're at it.

A bit of music to wrap up on - in anticipation of a 15th anniversary vinyl reissue of my 2010 album The Book of Women, and as a personal nod to the 40th anniversary of the Mario franchise, I'm putting out an extremely limited (20 copies - I'm a realist) run of the preceding, long-out-of-print 2008 EP Sibling Ribaldry, which will include the titular love-letter to Super Mario Bros. and three extra tracks from the album sessions not available on any other vinyl release. Give it a shufti here.

A'ight, that's all for now. Peace be with you.

May Shmay

Speed will screen at the recently-revived Melbourne International Animation Festival as part of their 'dependably depraved' Late Night Bizarre programme, taking place May 13th 9:30pm at the Treasury Theatre. Really glad to learn that this event is still a going concern after the knock it took last year, especially considering that they've been gracious enough to feature my work in the past. So if Melbourne's within travelling distance this weekend be sure to grab your tickets here.

It took a fair while but I finally got my complimentary copies of Independent Animation: Developing, Producing and Distributing Your Animated Films (Second Edition). I'm kind of drowning in them, so if anyone fancies one then go ahead and hit me up and we'll see if we can sort out some kind of mates-rates deal. Have a watch of the video above (or click here if your browser's being a bellend) to get a little peek inside as well as some more info on what's new in this edition.

If you'd rather get your mitts on a copy direct from the publisher, you can knock 20% off the retail price for a limited time by entering the promo code 23W4JPZVR at checkout (with free shipping to boot). Don't say I never do nothin' for ya.

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March Shmarch

In episode 109 of the Skwigly Animation Podcast I speak with thrice-Oscar-nominated directing duo Amanda Forbis and Wendy Tilby, whose body of work includes the incredible NFB short films When the Day Breaks and Wild Life, speaking about their career and their latest project The Flying Sailor, loosely based on real events.

We also welcome back Turning Red director Domee Shi speaking with Skwigly contributor Ryan Gaur about the film’s positive reception and road to the Oscars. Download here or stream below:

Speaking of recent site contributors, you might also want to check out Penny Whitehouse's conversation with Alex Davy of Blue Zoo as well as Mel Cionco's interview with Rich Magallanes of Nickelodeon. 

That's all I got. Get on outta here, you.

February Shmebruary

In spite of myself, I've put out an EXTREMELY limited (because I'm delusional but not that delusional) CD run of my latest album My Head is Too Small for my Body. Pop me a message on Insta or Facebook if you want to grab one up, if for no other reason than to have something shiny to put your mug of tea on. Or even better, waggle it about when your mates come over and bond over what the fuck that Ben Mitchell thinks he's doing.

A mere £5.50 incl. postage (UK only soz) and boasting a chunky SEVEN bonus tracks #phwoar

Of course if you don't fancy the clutter and like your music all digital-like, you can check it out on a variety of streaming platforms. I'm not up to much else outside of work these days, so here’s some more podcasts for ya:

After a bit of a hiatus I've resumed my Independent Animation companion podcast series, starting with  a chat with indie filmmaker Sean Buckelew about his incredible film Drone, which some of you may have caught at my Manchester Animation Festival screening back in November. If you didn't come then, firstly, you're dead to me, but the good news is you can now watch it in full online. Hopefully that'll bring you some comfort in death.

There's also a new Animation One-To-Ones where I meet Hair Love co-director Everett Downing Jr. and Patrick Harpin to discuss their new family animated Netflix series My Dad the Bounty Hunter. They're nice guys, so go check it out and cheer yourself up, for chrissakes. 

Heads-up for next month, Cardiff Animation Festival On Tour featuring Laura-Beth's Crafty Witch has another stop coming up at Brynmawr's Market Hall Cinema, 11am Saturday 18th March. Pop it in your diaries, you lovely Brynmawr-ians.

A'ight, I'm done. Go in peace.

Eventful times ahead

Some stuff's a-happenin' in the near (and nearer) future you might want to check out if you happen to be nearby. First off a late (last?) hurrah for my short film Speed as it joins the wonderful German touring programme Shorts Attack following its inclusion in the Interfilm Berlin festival back in 2020. Starting today it'll be amongst the lineup of the October selection Wo die Liebe hinfällt (Where Love Falls) alongside some of my favourite recent animations Just A Guy (Shoko Hara), Cipka (Renata Gasiorowska), Dans La Nature (Marcel Barelli) and Mmm...Cat (Yongxin Wang) as well as some live action shorts that look like fun. Check out the full list of dates and venues over on their website if it sounds like your cup of Schwarztee.

In a few weeks the Fredrikstad Animation Festival will kick off in Norway. Having weighed in on the preselection for their national competition programme back in July I'll be back over there to host their Meet The Filmmakers: Short Film Competition Q&A session on Friday October 21st at 8:30pm. As well as the various shorts programmes some event highlights to look out for include masterclasses with Mark Burton, Marie-Laure Guisset and Peter de Sève plus a screening of the wonderful Signe Baumane's My Love Affair With Marriage. You can check out the full schedule here.

Next month the Manchester Animation Festival will be back at HOME for a full physical edition after being mainly online for the last couple years. I'll be there for a nice chunk of it to muck in with several of the events - the Skwigly Screening will return for the first time since COVID on November 14th at 2pm and there'll be a special live edition of mine and Laura-Beth's podcast Intimate Animation on the 16th at 3:45pm. Later that day at 8pm our traditionally infuriating Skwigly Quiz will give festivalgoers a chance to viciously compete with one another before scratching and clawing their way to the prize table. There'll also be a screening of the Linoleum programme Sensitive Content followed by my recorded Q&A with the participants at 6pm on the 14th and Laura-Beth will be part of the panel Animated Answers: 3D Printing at 4pm on the 15th. As always there's a ton of other great stuff that'd be too long to list here so go ahead and check out the programme and grab yourself a pass.

Crafty coattail-ridin'

Encounters is gearing up for the return of its physical edition next month. Things have changed a bit over there and I'm no longer involved in the way I'd been the last few years but, rather splendidly, they'll be screening Speed following its inclusion in the 2020 online festival for a special retrospective programme. The film will be screened as part of Strange Hearts, kicking off 11am September 28th at Bristol's Watershed. Come on by, we can split a flapjack.

Two other films I nosed my way into that are getting themselves a repeat showing will be Laura-Beth Cowley's witchy shorts The Gift and Crafty Witch that were part of the 2020 and 2021 edition respectively. You can catch them in The Strength Within programme that screens at 12:30pm on the 29th and again at 4:30pm on the 30th.

Also coming up for Crafty Witch is a screening at this year's edition of Frightfest on Monday August 29th as part of Short Film Showcase 3. The programme starts at 1:30pm in 101 Films Discovery Screen 2 at the Prince Charles Cinema.

It will also be part of a programme from this year's Cardiff Animation Festival who will be taking nine of their accoladed shorts on tour across Wales, starting this Saturday (27th) with a screening at the festival's main venue Chapter at 2:30pm.

On a separate note, it struck me that it's been a little while since I had an actual website. For the first time in about five years I actually had a bit of downtime last month so I took the opportunity to cobble one together. It's kinda basic but then, shucks, so am I. Also managed to finally update my showreel for the first time since 2018, so if you fancy a gander check 'er out below:

Roundup: February 2022

My pals at the Manchester Animation Festival have kicked off a new series of year-round social/screening events MAF Presents, which began earlier this month with their first programme They Love Me, They Love Me Not that kindly featured my latest film Speed. If you're up North be sure to keep your eyes on their site and socials for updates on upcoming events as I'm sure you're itching to get back into the swing of that whole human contact thang.

On a similar note, the wonderful Cardiff Animation Nights gang have resumed their in-person events as well as carrying on the online screenings they started during the pandemic, so be sure to follow what they're up to as well. Even more exciting is the return of the Cardiff Animation Festival, whose third edition will take place at their usual Chapter Arts venue April 7th-10th, knock wood, with an online version going through to the 24th. There'll be more specific programme info to come but in the meantime I can confirm I'll be there to host the filmmaker Q&As and Laura-Beth Cowley's recent project Crafty Witch is among the festival's official selection as part of the Shorts 7: After Dark category. Pop it in your schedules!

Also on the events front, the biennial British Animation Awards - on which I mucked in as preselector/jury - will be happening on March 10th at the BFI Southbank with signal events in Bristol, Cardiff, Salford and Stirling if a Thursday night trek to London isn't doable but you still want to check out the festivities. All being well I'll be at the main event so hopefully will see some of y'all in the big smoke; I won't hug you but we can affectionately exchange finger-guns. Otherwise be sure to check out their site for the various viewing and ticket options they have.

Before any of that will be Speed's inclusion as part of Anima Brussels next weekend. Since the announcement of the official selection I now know it will be part of the second Animated Nights block on Saturday, March 5th, kicking off at 10pm in Flagey Studio 4 and 10:30pm at Palace. I'm properly gutted that I won't be able to make it in person as seeing Sunscapades as part of the same programme a couple years ago was an absolute blast, but right now the faff of getting in and out of Belgium would just be too disruptive to make it feasible. Fingers crossed I'll make it back over there before too long.

Following on from last month's UK streaming release of Chuck Steel: Night of the Trampires, it will be traveling further afield as of March 1st with its arrival on streaming platforms in the US, Canada and Australia. It's a job I have a lot of fond associations with and it's really nice that all the hard work the crew put into it will get some wider visibility. Check out what viewing options are available to you here.

Over on Skwigly I've delved a bit further into the production of the incredible Netflix film The House (the directors of which I interviewed last month) via an interview with Nexus Studios producer/co-founder Charlotte Bavasso. As well as discussing the film itself we also go into the early days of the studio and what the future may hold - it was a real treat to chat with her and I hope you find her insights as inspirational as I did.

Having been out of print for a little while I'm pleased to see that We Still Care A Lot, the tribute album I contributed to in honour of the late Chuck Mosley, has finally gotten itself a digital release. You can check out the full album over on Bandcamp.

Not a whole bunch else I can explicitly talk about but if you happen to be one of those trendy youngsters who lurk about on TikTok you might want to go ahead and follow this little IP that's on the grow. The keen of ear may even detect a familiar vocal performance in the video below:

Finally, these pipes have gone viral.

Tidings, possibly of the glad variety

Mother of Christ, this year sure pissed by quickly, didn't it?

It's been a busy time leading to a pretty major December deadline, coupled with a bit of a lull between films of my own, so things have been pretty infrequent on the blog posts front. Somehow you've all managed to get by regardless and I applaud your emotional strength. While 2022 will be a bit busier as far as stuff I can shout about, I'll throw up one more batch of 2021 updates (unless we're able to squeeze in a final Skwigly podcast before the year is through) just to remind y'all I exist.

First up is the Ax Wound Film Festival which has just kicked off and whose full schedule is now available online. If you're based in the US or Canada you can catch Laura-Beth's film The Gift as part of their Short Film + Livestream Block F, which may well feature a director Q&A. This'll kick off 8pm Stateside this Wednesday (15th) and be available through to the 20th.

Another film of Laura-Beth's I was able to elbow my way into was Crafty Witch, a film component of her PhD thesis study at UWE's Centre for Fine Print Research. Having recently screened at major film festivals Encounters, Stop Trik and MAF (with more to come), she presented a behind-the-scenes seminar on the processes involved for the CFPR last week which you can watch above.

On the less-interesting subject of my own films, I've received the wonderful news that Speed will be part of the next Anima Brussels programme, specifically their Animated Night screening. This was the event that gave my preceding film Sunscapades its last major festival sendoff moments before the world went and got itself all pandemic-ey, so it's wonderful to see Speed wrap up its festival journey the same way. While I'm not quite sure of the exact screening date yet, the festival will run from February 25th to March 6th so be sure to follow their socials for updates.

It wouldn't be the holiday season without me pointing out that my book Independent Animation, which some might say is literally the most perfect gift imaginable for the animator, animation enthusiast or sentient human in your life (hell, buy it for the dog to chew on, I don't discriminate), is on sale with a merry ol' 20% off. In fact if you combine that with the special promo code X001 at checkout you'll lop off another holly'n'jolly chunk off the price. All that plus FREE shipping - I mean, I'm pretty sure I just saved Xmas, right? You're welcome. I do it out of love.

Seriously, it's full of amazing people talking about amazing work, you'll dig it. And who knows, it might not be around forever...

Ben up in everyone's business

It's been a busy few weeks of festive activity with the Encounters Film Festival, whose final week starts today. As has often been the case in recent years I was privileged to host some of the animation Q&A sessions that have been rolled out over the course of the festival. You can give those a watch below should you be so inclined.

Accompanying the presentation of the official selection this year is Reflective Encounters, a series of critical mini-write-ups of the shorts in competition by a variety of journalists and writers including Laura-Beth and myself. If you want to learn more about the films you can have a read of Laura's writings on Joanna Quinn's Affairs of the Art, Michelle and Uri Kranot's The Hangman at Home, Bastien Dubois's Souvenir Souvenir, Mathilde Parquet's Trona Pinnacles, Dina Velikovskaya's Ties, Daniel Gray's HIDE, Ann Thiel's Shtum, Petra Steptic and Maren Wiese's Jeijay, Yuan Elizabeth Xu's Breaking Bread, Noam Paul's The Quest for Freedom and the Longing for Belonging, Martin McNally's Excerpt, Michael Salkeld's Abstraction and Coffin from Gobelins. Meanwhile I take a look at Marine Blin's What Resonates in Silence, Tomek Ducki's Plantarium, Katarzyna Agopsowicz's Prince in a Pastry Shop, Chenghua Yang's Self Scratch, Paul Mas's Precious, Cliona Noonan's Wet and Soppy, Marie Lechevallier's Knot, Claude Cloutier's Bad Seeds, Przemyslaw Swida's Co-Ognition, Yi-Han Jhao's The Frolic and Renee Zhan's Soft Animals. 

Renee also joins us for the latest episode of our Skwigly podcast Intimate Animation. Since beginning her animation studies at Harvard University, her films also include the Sundance Jury Award-winning Reneepoptosis (recently released online) and last year’s National Film and Television School mini-epic O Black Hole. Give it a listen below - or a download, whatever melts your butter.

Also discussed in this episode - more Encounters highlights including some of our Reflective Encounters focuses as well as the Animated Encounters Grand Prix winner Farce (dir. Robin Jensen), the Best of British Animation Award winner Eating in the Dark (Dir. Inari Sirola), Annah la Javanaise (dir. Fatimah Tobing Rony), Günter Falls In Love (dir. Josephine Lohoar Self), Love is Just a Death Away (dir. Bára Anna Stejskalová), Sweet Nothing (dir. Joana Fischer/Marie Kenov) and Granny’s Sexual Life (dir. Urška Djukić) plus recent work from Henriette Reitz, Christa Jarrold and Future Power Station.

In our latest episode of Animation One-To-Ones earlier in the month I also met Marie Valade, whose film Lolos (Boobs) is screening at part of the Encounters Late Lounge programme. Both equally poignant and witty, the film sees a young woman drawn in ink who is forced to deal with paper breasts that appear on her chest, leading her into increasingly unusual situations that reveal her deepest anxieties. We also discuss Marie's work as co-director of Festival Stop Motion Montreal, whose fifteenth edition just wrapped. You can watch the video above (don't forget to subscribe to our channel so as not to miss future episodes) or stream/download the audio podcast version.

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If you're in a reading mood you might also want to check out my written interview with Ida Melum, whose NFTS grad film Night of the Living Dread is screening in both the animation and comedy programmes. The film - in which we follow the nighttime tribulations of Ruby, a young scientist whose attempts at sleep are obfuscated by an ever-relatable onslaught of embarrassing memories - brings Ida’s gift for storytelling, observational comedy and adventurous set pieces together with a full team of talented artists. She's definitely one to watch out for.

The Manchester Animation Festival has revealed its 2021 programme and with it the rather splendid news that Laura-Beth's latest film Crafty Witch (on which I made some noises and tickled some ivories) will be part of their MAFter Dark screening. This will take place in-venue at HOME 8:30pm on November 17th and online an hour later. The day before, festivalgoers can virtually join Steve and I for another edition of our rage-inducing Skwigly Quiz. That'll be at 9:30pm on the 16th so hope to see some of your lovely faces in those Zoom windows. Grab your passes from noon tomorrow!

You can catch Crafty Witch before then - this week, in fact - if you happen to be hanging out in Maribor, Slovenia where the 11th StopTrik International Film Festival is about to kick off. The film will be screening this Thursday at 3pm in the Big Hall at the Vetrinj Mansion as part of the festival's Panorama programme. Don't forget it's also part of the Encounters programme for the next couple days if you happen to have a pass for that.

Look, I went full circle; I'm smooth like that.

Seriously, where's the butter?

Well hey there, gang. Hope your August has been positively majestic.

Been a quiet spell for Speed but we've got ourselves a couple September screenings comin' up. First up is the 16th edition of Breda's BUT B-Movie, Underground & Trash Film Festival over in the Netherlands. I've always had a soft spot for these folks going back to when they screened my old student short House Guest in 2009; more recently they gave my 2018 gore-fest Sunscapades an airing and it's reassuring to know that, six films in, I'm still pretty trashy. This looks like a hybrid festival and Speed will be part of the Shorts Block 2: Mean Girls with the physical screening taking place September 5th 7:30pm at the Nieuwe Veste arts centre. Alas the online program is only available to locations in the Netherlands, but if you're so geographically blessed you can find out more at their website.

Later in the month will see the 10th anniversary edition of FIFIGROT Festival du Film Grolandais over in in Toulouse, France. Speed can be seen in Au bon moment as part of their Bar-Bars Cine-Bistrot et concert programme on the 24th September 8:30pm at O Bohem. Check out their full programme here.

In our latest episode of Intimate Animation Laura-Beth catches up with Will Anderson, whose film Betty was just released online this month following a festival run including screenings at Pictoplasma, Encounters, Animafest Zagreb, GLAS and PÖFF Shorts as well as a BAFTA Scotland win and Scottish Short Film Award at the Glasgow Short Film Festival. As with all of Will's films it's funny and unique as well as being genuinely quite touching. This was one of my favourites of the last couple years and I was privileged to get to screen it as part of Cardiff Animation Nights back in March - definitely give it a watch and have a read of Laura-Beth's longer interview from around this time last year.

Also discussed in this episode: The evolution of Lisa Hanawalt's Tuca and Bertie having moved to Adult Swim for its second season, BlinkInk's E4 miniseries Blind Love on First Date Island, Adeena Grubb's stop-mo short Dating is Shit, Sacha Beely/Strange Beast's animated Gillette spot A Song For Pubes and Diablo Cody's inscrutable “sexying up” of The Powerpuff Girls. Stream above or download 'ere, why doncha?

Lastly it's worth a mention that my book Independent Animation is again available to nab at 20% off as part of the publisher's Social Science sale. In fact for the next little while you can whack that discount all the way up to 40% if you enter the promo code X001 at checkout. Not too shabby, eh? You have to buy it from Routledge, mind, but they cover your shipping so why the ever-lovin'-heck wouldn't you?

Festivities approach...

You like films? Of course you do, you're not a creep. In celebration of liking films and not being a creep then, I bring you the news that the Encounters Short Film Festival have unveiled their Official Selection and, having been a little more involved on the animation preselection side of things than usual this time around, I can attest it's a belter of a line-up. Among some of my personal highlights to watch out for are Marine Blin's What Resonates in Silence, Marie Valade's Lolos, Ida Melum's Night of the Living Dread, Renee Zhan's Soft Animals, Marnik Loysen's Brunch, Urška Djukić's Granny's Sexual Life, Michael Cusack's The Better Angels and Franck Dion's Under the Skin, the Bark as well as work by recent Skwigly interviewees Joanna Quinn (Affairs of the Art), Anna Ginsburg (A Love Hate Relationship), Claude Cloutier (Bad Seeds), Cliona Noonan (Wet & Soppy), Michelle Kranot (The Hangman at Home) and Daniel Gray (Hide).

While I had to recuse myself from selecting it personally (although I would've without hesitation or the tiniest pang of guilt) I'm pleased to see that Laura-Beth's new film Crafty Witch will also be among the selection. I did the post-production on this one but it's the brilliant concept and process Laura-Beth came up with, along with some fantastic animation pre-vis from retro whizkid Sam Shaw, that really makes it.

This year's edition of Encounters will take place online through the entire month of September and you can grab your festival passes here. Fingers crossed there may be some physical events also, so watch this space.

Another event I'll be pitching in on is the British Animation Awards which has opened the Call for Entries for its next edition that will take place March 10th 2022. Be sure to get your new work submitted by October 29th if it falls into any of the following categories:

• Best Undergraduate Student
• Film Best Postgraduate Student Film
• Best Short Film
• Best Design
• Best Voice Performance
• Best Use of Sound
• Best Music Video
• Best Children’s Pre-school Series
• Best Long Form Animation
• Best Children’s Series
• Best Animation in a Commercial
• Writers Award
• Best Original Music
• Social Good Award
• Best Immersive Animation
• Lamb Award
• Cutting-Edge Award
• Factual Award
• Wildcard Award (new for 2022)

The BAAs will also present their Public Choice category – for which audiences can vote – in the lead-up to the ceremony.

I really hate coming up with names for these updates. I think I'm just going to call them all 'Update' from now on.

In the latest episode of our new Skwigly podcast/video series Animation One-To-Ones Laura-Beth meets Mike Rianda, writer/director of the new Netflix film The Mitchells vs. The Machines. If it hasn't come across your radar yet I'd recommend this as definitely being among the better animated features of the year. You can download the podcast here or watch below:

If you haven't caught the previous episodes of Animation One-To-Ones be sure to take a peek at Steve's interviews with Erick Oh and BAFTA-winner Maryam Mohajer. There's a bunch more to come so why not go ahead and subscribe to our YouTube channel to not miss out.

Some festival news - as hoped, Montreal's Sommets du Cinéma d'Animation will be holding physical screenings for their online 2020 programme (that included Speed) now that restrictions are easing off over there. The film remains part of the International Competition of Very Short Films screening that takes place at 7pm on Monday May 17th and then again at 7pm on Sunday May 23rd. As there is limited capacity both screenings will take place simultaneously in the Salle de projection principale and Salle Fernand-Seguin at the Cinémathèque québécoise. 

Lastly the Brazilian preschool series Lendas Animadas on which Laura-Beth and I animated is going to be broadcast as part of ANIMAÍ on the Brazilian channel VRT from tomorrow (May 1st) 1pm. Four episodes will be viewable internationally until May 8th via Nordestina Play including Laura-Beth's Iemanjá - A Rainha do Mar and two I worked on - Maní - A Lenda da Mandioca and O Jabuti e a Fruta. There's no English language translation as far as I can tell so be sure to brush up on your Portuguese.

Jabberin' on

Something to perk you up during this mostly-overcast springtime is the beginning of a brand new season of our podcast series Intimate Animation. In this episode Laura-Beth speaks with sensational director Shoko Hara whose Oscar-longlisted animated documentary Just A Guy, exploring the complex world of women sexually attracted to violent sociopaths (specifically Richard Ramirez), has been doing the rounds at some of the biggest festivals out there as well as our recent Skwigly Screening for Cardiff Animation Nights where it got some tongues wagging. 

We also discuss the strangely hypocritical sexual politics of Space Jam 2, curious European IPs such as Monsieur Flap and John Dillermand, new series including Solar Opposites and the return of Big Mouth as well as short films of note from the CAN screening, TAAFI's recent online edition and this year's Annecy official selection. You can stream the full episode above or download here, though if you're tight on time right now here's a little Insta-preview:

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If you're in a Skwigly mood you might also want to check out the full interview with recent Nexus signees Haein Kim and Paul Rhodes whose film Peepin was also part of the CAN screening. 

Another update regarding the Brussels Independent Short Film Festival: Courts Mais Trash whose final form will be as an online event and not a hybrid as previously hoped. The dates will be the same (April 21st-28th) and the full programme will be accessible via a super-cheap event pass, unless you live outside of Belgium in which case you'll be able to just see nine out of ten programmes so it's still a good deal. Thankfully Speed is part of the Ouverture screening which can be viewed worldwide, so y'all can breathe a huge sigh of relief on that front.

Speaking of festivals, I'm back on preselection for another edition of the illustrious Encounters Film Festival and it'd be mighty lovely to check out any new fillums you fine fillum-maker folks out there might have in the chamber. I've been fortunate enough to be involved in this particular event as a filmmaker, journalist, event host and curator (not all at once...well, sometimes a couple of those at once) and it's always a blast, so you could do a damn sight worse than checking out their call for entries. Incidentally you can watch my specially-filmed introduction to Speed's inclusion in last year's edition; it's sure to answer any burning questions you may have about the film: