Showing posts with label Intimate Animation. Show all posts
Showing posts with label Intimate Animation. Show all posts

Thursday, 9 April 2026

Let's Do Brunch


Excited to again be involved in another edition of Cardiff Animation Festival, which this year takes place April 23rd-26th at Chapter Arts Centre. I'll be there with Laura-Beth to present a few Skwigly brunch events including a book presentation 10am Friday 24th (talking Intimate Animation alongside Joanna Quinn, Les Mills and Greg McLeod discussing their own recent literary ventures) and filmmaker Q&A sessions on the 25th and 26th. See you there! 

Friday, 21 November 2025

Arts and/or Humanities


Many thanks to those of you who bought a copy of Intimate Animation at MAF (and Encounters, for that matter), we hope it proves educational. If you missed out on our exclusive festival discount I have some good news - the publisher's Black Friday sale will run until December 3rd, through which you can get both Intimate Animation and my previous book Independent Animation at a whopping 25% off (plus free international shipping).


The next event you should pencil in to check out is Figures in Focus: Skin Shows + Screentalk, a special programme curated by Abigail Addison where "animators lay bare sexuality, queerness and the body on screen" as part of the London International Animation Festival, Saturday November 29th 6:20pm at the Barbican. The screening will include Laura-Beth Cowley's BBC Arts film The Gift (on which I did some animation and sound) and is followed by a Q&A with Laura-Beth, Lizzie Watts and May Kindred-Boothby. Earlier that day, our friends at Women In Animation UK will be hosting a get together up the street at Two Brewers from 3pm-6pm.


I'm putting out one more vinyl reissue before the year is through. Coming up to fifteen years since its original release, The Book of Women is probably the closest I ever came to making an outright pop record (and the only one to get some real airplay). You can sample/buy it here - it's also still available on Spotify and Bandcamp if you prefer your music to be airborne and intangible rather than big, flat and plastic.
To end on, my fellow animationperson Gareth Cavanagh has started up his own podcast The Square Window, discussing children's programmes from the 80s and 90s. Fun listening with guests so far including myself and pals Jane, Steve, Dani and more. Give it some love on YouTube, Apple Podcasts and Spotify.

Wednesday, 1 October 2025

Movin' right along...

Before I crack on with the latest round-up, I wanted to make a point of saying that the 30th edition of the Encounters Film Festival was absolutely fantastic. Much love to everyone who voiced their enjoyment of the selection; after a few years of animated shorts not getting their own dedicated strand, it means more than you know. All being well, we'll be back again next year for an even bigger and better edition.


As one festival ends, another is ramping up. It's looking to be another superb Manchester Animation Festival up North this November with a whole host of animationey goodness on offer. Chuffed to be presenting mine and Laura-Beth's book Intimate Animation (6pm 11th Nov, Manchester Central Library) as well as another all-new Skwigly Screening (7pm 12th Nov, HOME). Of course, Steve and I will be inflicting another edition of the Skwigly Quiz on festivalgoers right after (8:30pm 12th Nov, HOME). So get your diaries out and pencil 'em in.


Some nice news on the Intimate Animation front, in the October issue of the rather splendid BFI magazine Sight & Sound it has been selected as Editor's Choice by reviews editor Katie McCabe. I'm sure most of you reading likely already have a subscription, but just in case you can grab yourself a copy of the issue here. If you didn't make the Encounters presentation and missed getting your hands on a copy, the fine folks at the Arnolfini bookshop have held a few copies back at the same discount, so pay them a visit and grab it while you can. Failing that, the publisher currently has a site-wide sale, so if you buy it directly from them you'll get 20% off. Better than a kick in the pants.


If you're in the market for some inspirational podcast listenin', you'll want to check out the latest episode of Animation One-To-Ones featuring absolute legend and stalwart pal o' Skwigly, Joanna Quinn. We mainly discuss her work with the initiative AC4Pal (Animation Community for Palestine) in support of the efforts of Gaza-based educator Haneen Koraz, which recently culminated in the global anijam To Gaza with Love, which brought together 329 short films from over 50 countries. Joanna is always a joy to listen to, so give it a stream, watch or download; she also has a book of her own out now, so give that some love too while you're at it.

A bit of music to wrap up on - in anticipation of a 15th anniversary vinyl reissue of my 2010 album The Book of Women, and as a personal nod to the 40th anniversary of the Mario franchise, I'm putting out an extremely limited (20 copies - I'm a realist) run of the preceding, long-out-of-print 2008 EP Sibling Ribaldry, which will include the titular love-letter to Super Mario Bros. and three extra tracks from the album sessions not available on any other vinyl release. Give it a shufti here.

A'ight, that's all for now. Peace be with you.

Monday, 8 September 2025

More excuses to leave the house


Exciting developments here in Bristol as the briefly-dormant Encounters Film Festival will be returning later this month for its 30th edition. Having worn a bunch of different hats for this event over the years, it was a privilege to take the reins as Animation Programmer and put together five programmes packed with incredible new shorts, as well as consulting on the festival's genre programmes and industry events. More info on each programme below (all competition screenings take place in Cinema 1 at the Watershed and will be followed by a Q&A with any attending filmmakers):

  • Animated Encounters 1 (1pm Sep 24)
    From a father grappling with his son's emigration to a woman literally birthing her reproductive organs, these animated stories confront life's awkward realities head-on.
  • Animated Encounters 2 (5:30pm Sep 24)
    A European traveller sketches her way through Cape Verde, a cat seeks enlightenment, and a mother weaves memories through colourful sweaters. These contemplative works range from Nordic winter poems to drag queen revelations, united in quiet contemplation.
  • Animated Encounters 3 (10am Sep 25)
    The messy realities of minds and bodies under pressure. Characters battle screen addiction, explore their own anatomy, and confront childhood trauma through bold animation techniques. These unflinching stories tackle everything from teenage pregnancy to language identity, using surreal visuals to make the internal external.
  • Animated Encounters 4 (2:30pm Sep 25)
    Tender stories celebrating memory, family bonds, and the search for belonging across generations.
  • Animated Encounters 5 (12pm Sep 26)
    Eight exciting works push animation into uncharted territory, unafraid to go places live action cannot. Ancient Chinese erotica inspires an Estonian tale of vanity, while nude models battle mosquito stings and a hypersensitive woman navigates a harsh world.

The 25th will also be a dedicated animation industry day, and kicking off proceedings will be a special presentation on mine and Laura-Beth Cowley's new book Intimate Animation, featuring special guests Baz Sells and Ben Jackson of One6th who'll be discussing the production of their recent short Two Black Boys in Paradise (also screening in competition); we'll also be selling books at an exclusive Encounters discount if you haven't yet snapped it up and want to save a few sheckels. Also on the docket throughout the day are presentations from the likes of Dan Ojari, Tanya ScottKarni & Saul, Dane Winn, Neeraja Raj and Chris Shepherd as well as dog life drawing, a stop-mo workshop and a showcase and reception for the newly-launched UK branch of Women In Animation.


Capping off the day will be another edition of Bristol Animation Meetup (BAM), again teaming up with our pals at Festivus and taking place at the Three Tuns pub from 7pm. 

The next day at Watershed Cinema 3 I'll be hosting an Artist Masterclass with storyboard artist Jay Clarke, discussing his career with a focus on his work for acclaimed director Wes Anderson. Other events you might want to check out include a special screening of the modern classic Eternal Sunshine of the Spotless Mind with director Michel Gondry and writer Charlie Kaufman in attendance, a UK premiere for Gondry's new film Maya, Give Me a Title, the legendary Late Lounge featuring some stunningly twisted animation and a preview screening of Emma Hough Hobbs and Leela Varghese's Australian animated feature Lesbian Space Princess. In fact, there's too much good stuff on offer to list here, so give the programme a peruse and grab your passes now.

Thursday, 24 April 2025

May Days


Got some events for your diaries, folks. Starting with the first Bristol Animation Meetup (BAM) of the year, gonna be a casual one with our pals at Festivus on May 1st from 7pm at The Three Tuns. Swing by BAM x Westivus and we'll all have a nice catch-up.


The following week Laura-Beth and I will be celebrating the launch of our new book Intimate Animation in London on May 7th with the lovely folks at Bar Shorts. From 8:10pm at The Garden Cinema we'll be screening a selection of the major case studies in the book, followed by a Q&A hosted by the brilliant Chris Shepherd. Click here for more info and to get tickets.

That weekend we'll also be at the Fine Lines Illustration and Animation Festival in Cheltenham with a slightly more condensed version of the screening starting  ̶6̶p̶m̶  6:30pm (disregard image above) at the University of Gloucestershire Park Campus, TC014 Lecture Theatre. Grab a free pass here. At both Bar Shorts and Fine Lines we'll be selling copies of the book (as well as some other goodies) at an exclusive discount, so bring your wallets and treat yisselfs.


Toward the end of the month I'm excited to be popping over the river to Chapter Arts Centre for Cardiff Animation Weekender, the biennial mini-festival put together by the Cardiff Animation Festival gang between full editions of CAF. I'll be participating in the Sketch Showdown on Saturday May 17th at 7:15pm (Cinema 1), then the following evening (7:30pm, First Space) Steve and I will be bringing the Skwigly Quiz to Cardiff for the first time in 8 years. Other events worth checking out include a talk with Chris Shepherd about his new book Anfield Road, Aardman modelmaking workshops and a John R. Dilworth retrospective. So come join us, it'll be a fun one.

Wednesday, 12 March 2025

Bedside Literature


I'm very excited to announce the official release date of the latest Skwigly book - Intimate Animation - by myself and the incredible Laura-Beth Cowley.

In recent years, there has been a surge in animated projects that have pushed boundaries, broken taboos, prompted discussions and wowed festival and online audiences alike through compelling storytelling and unmatched artistry. Join Ben Mitchell and Laura-Beth Cowley of Skwigly Online Animation Magazine and the Intimate Animation podcast as they take you on a tour of the landscape of contemporary animated films that deal with themes of love, intimacy, relationships, anatomy and sexuality – and the incredible artists behind them.

Through research and firsthand interviews with trailblazers such as Signe Baumane, Andreas Hykade, Ruth Lingford, Michaela Pavlátová, Bill Plympton and Joanna Quinn, as well as newer voices including Sawako Kabuki, Renata Gąsiorowska, Will Anderson, Sara Gunnarsdóttir, Michaela Mihalyi, David Štumpf, Levi Stoops, Lori Malépart-Traversy, Anna Ginsburg, Veljko Popovic, Joseph Wallace, Renee Zhan and more, Intimate Animation looks deeply at how animation has been used to present elaborate and complex concepts relating to love and sexuality.

Exploring the role animation has played in sex education, self-discovery, the body, lust and love, as well as how the medium can be used to visually represent emotions, feelings and concepts not easily described in words nor depicted through live-action filmmaking, Intimate Animation is the ideal book for professional animators, filmmakers, enthusiasts, researchers, academic and students of animation and film studies interested in the themes of love and sexuality.

The book will be released March 27th and is available to pre-order now (use code LP96LCNPH at checkout through this month for a whopping 20% off!)

Friday, 20 January 2023

January Shmanuary

It’s been probably the longest stretch of radio silence on here since I started the strange, protracted, attention-seeking endeavour that is this blog. Personal circumstances innit. Anyways, here’s some stuff that’s happened in the interim.


Laura-Beth and I wrapped up the fourth season of Intimate Animation with a special live edition recorded at Manchester Animation Festival (which was a blast) back in November. We’re joined by director Phil Wall and producer Chloe Beale of Strange Acre Studios, discussing their recently-completed BFI-funded short film Woodland, as well as Julia Wiza to talk about her Nottingham Trent University thesis film Bogdanka. Much gratitude to everyone who came, as well as the MAF and HOME team for getting everything set up.


The last Skwigly Animation Podcast of 2022 features a chat between myself and - holy shit - Guillermo del Toro, joined by Pinocchio co-director Mark Gustafson. Not too fucking shabby, eh?


If that hasn’t gotten you dazed and confused, another chap possibly more well-known as a live-action director that I got to speak to recently is Richard Linklater, chatting about his recent feature Apollo 10½: A Space Age Childhood alongside his longtime animation collaborator (A Scanner Darkly, Waking Life) Tommy Pallotta. 


CAF on Tour, featuring Laura-Beth Cowley’s Crafty Witch, is still making its way across the wonderful land o’ Wales. A couple dates for your calendars this month:

  • Canolfan S4C Yr Egin, 7pm Tues 24th January
  • Pontardawe Arts Centre, 6pm Sat 28th January

Well that’s it for now. As you were.
 

Wednesday, 5 October 2022

Eventful times ahead

Some stuff's a-happenin' in the near (and nearer) future you might want to check out if you happen to be nearby. First off a late (last?) hurrah for my short film Speed as it joins the wonderful German touring programme Shorts Attack following its inclusion in the Interfilm Berlin festival back in 2020. Starting today it'll be amongst the lineup of the October selection Wo die Liebe hinfällt (Where Love Falls) alongside some of my favourite recent animations Just A Guy (Shoko Hara), Cipka (Renata Gasiorowska), Dans La Nature (Marcel Barelli) and Mmm...Cat (Yongxin Wang) as well as some live action shorts that look like fun. Check out the full list of dates and venues over on their website if it sounds like your cup of Schwarztee.

In a few weeks the Fredrikstad Animation Festival will kick off in Norway. Having weighed in on the preselection for their national competition programme back in July I'll be back over there to host their Meet The Filmmakers: Short Film Competition Q&A session on Friday October 21st at 8:30pm. As well as the various shorts programmes some event highlights to look out for include masterclasses with Mark Burton, Marie-Laure Guisset and Peter de Sève plus a screening of the wonderful Signe Baumane's My Love Affair With Marriage. You can check out the full schedule here.

Next month the Manchester Animation Festival will be back at HOME for a full physical edition after being mainly online for the last couple years. I'll be there for a nice chunk of it to muck in with several of the events - the Skwigly Screening will return for the first time since COVID on November 14th at 2pm and there'll be a special live edition of mine and Laura-Beth's podcast Intimate Animation on the 16th at 3:45pm. Later that day at 8pm our traditionally infuriating Skwigly Quiz will give festivalgoers a chance to viciously compete with one another before scratching and clawing their way to the prize table. There'll also be a screening of the Linoleum programme Sensitive Content followed by my recorded Q&A with the participants at 6pm on the 14th and Laura-Beth will be part of the panel Animated Answers: 3D Printing at 4pm on the 15th. As always there's a ton of other great stuff that'd be too long to list here so go ahead and check out the programme and grab yourself a pass.

Monday, 13 June 2022

That 'monthly roundup' idea didn't pan out, did it?

I've been kinda quiet 'cause, well, shucks, I don't have a whole lot to say these days. I'll rattle off some general updates to keep this site from going into atrophy.


The epic, protracted journey of Chuck Steel: Night of the Trampires has reached its conclusion (some five years after I joined the film's post-production team in its latter months) with a suitably-retro home media release. I don't really buy blurays, except for the occasional animation one, but the sheer strength of craft that went into this is a pretty good justification to pick it up and by some accounts I've read this version looks a little nicer than its streaming alternatives.

Another journey's end worth mentioning is my stint with the fine folks at Shy Guys Studios wrapping up after four-and-a-bit years. It's probably the longest I've been at one place (albeit while juggling a ton of other gigs on the side, as my gluttony for punishment dictates) and it led to some really fun projects including graphics and titles for a bunch of TV shows, animation for educational/health films (the one above was a lot of fun) and my most recent film Speed which managed to tick a few more festival selections off my personal wishlist. As with all the best gigs the real highlight was the people I got to meet through it and I hope we'll manage to work alongside one another again down the line.

Elsewhere the world of Emojitown is growing like gangbusters, having just hit a million followers on its main YouTube channel and over 125k on its more recent TikTok channel. I've been working with WildBrain Spark as a consultant and contributing director/producer on its social media shorts which have accrued a stunning 250+ million views since the end of last year. It's a pretty incredible thing to see this kind of response to a brand new IP, so fingers crossed things continue as it's been a fun world to be a part of and occasionally inject my weirdness into.


Things are still active and busy over in the land of Skwigly (I certainly post there a lot more than I do here) with some National Film Board of Canada/Annecy coverage highlights including a chat with Métis filmmaker Terril Calder (Meneath: The Hidden Island of Ethics) and conversation with multi-Oscar-nominated duo Amanda Forbis and Wendy Tilby (When the Day Breaks, Wild Life and The Flying Sailor). Also in competition at Annecy is Magical Caresses, an NFB series on demystifying masturbation by Le Clitoris director Lori Malépart-Traversy, who returns to our podcast Intimate Animation to discuss the project. Stream below or download here

Other coverage to check out includes an interview with Hamish Steele who recently adapted his progressive YA graphic novel series Deadendia into a new Netflix show Dead End: Paranormal Park (some brilliantly talented folks worked on this one), Laura-Beth's interview with Sam O'Leary, who did an incredible job paying tribute to the shit-your-pants-scary animated PSAs of yore in the series 7 finale of Inside No. 9 (cheers to Mr. Shearsmith for the RT), a trifecta of interviews for Autism Awareness Month with Jorge R. Gutiérrez, Dani Bowman and Grainne McGuinness courtesy of writer Martyn Warren and new contributor Ryan Gaur's editorial pieces on streaming vs cinema, the upcoming Futurama reboot and the feature film Lightyear.


Ryan joins the latest episode of the Skwigly Animation Podcast with a segment interviewing Lightyear director Angus MacLane and producer Galyn Susman. We also feature a chat between Laura-Beth and director/writer Loren Bouchard, co-director Bernard Derriman and co-writer/producer Nora Smith of The Bob's Burgers Movie. Again, it's streamable below and here's your download link, ya lucky so-and-so.

I think that's all the talk-about-ables for now. This summer might see things get a bit less quiet as there are a bunch of project announcements on the horizon, so, y'know, stay mildly alert.

Monday, 25 April 2022

Roundup: March/April 2022

Who likes podcasts? Well, whether you do or don't, that's literally all I have for you today so get with the programme. 


As I grapple with the grim realisation that I've been podcasting for over a decade I may as well pop up the latest batch for your delectation and/or derision. Firstly we report back from this year's British Animation Awards, which took place at London's BFI South Bank in March. This episode features Steve's exclusive post-ceremony chats with event director Helen Brunsdon and producer Kieran Argo as well as some of the awarded attendees: Joanna Quinn and Les Mills (director and writer of Affairs of the Art, winner of Best Short Film, Writers Award and Best Voice Performance), Jeroen Jaspaert and Matt Tea (Showrunner and director of Pip & Posy, winner of Best Children’s Pre-School), Grant Berry and Dane Winn (directors of The Beast, winner of Best Immersive Animation), Adrian Rhodes (Sound designer of Zog and the Flying Doctors, winner of Best Use of Sound) and Julie Lockhart (producer of Ron’s Gone Wrong, winner of Best Long Form). 


Laura-Beth and I also continue the fourth season of our Intimate Animation podcast series, featuring special guest and recent Oscar-winner Alberto Mielgo (The Windshield Wiper) in our latest episode. Also discussed: More on the British Animation Awards including award wins for previous Intimate Animation guests Renee Zhan, Anna Ginsburg and Caitlin McCarthy, love and sex-themed highlights from Miyu Distribution‘s new YouTube channel Bang Bang, the Manchester Animation Festival's new events strand MAF Presents and the return of Cardiff Animation Festival.


Speaking of CAF, Laura-Beth and I were delighted to be able to muck in with their fantastic third edition and first return to the physical format since they kicked off in 2018. Recordings of the Filmmaker Brunch sessions we hosted have been put out as a two-part podcast special that you can check out now. In Session 1 I speak with Laura-Beth (discussing Crafty Witch), Joanne Fisher (Stache and the Inner Walk), Emlyn Davies (Foo Fighters: Chasing Birds), Joanna Quinn and Les Mills (Affairs of the Art), Daniel Gray (HIDE), Paul O’Flanagan (Memento Mori) and Callum Angel (The Catalyst).


In Session 2 Laura-Beth speaks with Jana Kattan (Checkpoint), Cliona Noonan (Soft Tissue), Alisa Stern and Scott Ampleford (Posted No Hunting), Sacha Beeley (Babeheaven: Craziest Things), Lina Kalcheva (Other Half), Flora Martyr (04111311), Cleo Parker (The Big Top) and Hoching Kwok (Prince Edward). As always many congrats to Lauren, Elys and the incredible Cardiff Animation team for pulling off an incredible event boasting some amazing guest presentations and incomparable musical entertainment. You could tell it gave everyone there a real boost and felt the most 'normal' that anything's felt in a good long while.

Right, I'll be back later. Not sure with what, exactly, but knowing me there's a good chance it'll be some more podcasts.

Monday, 27 September 2021

Ben up in everyone's business


It's been a busy few weeks of festive activity with the Encounters Film Festival, whose final week starts today. As has often been the case in recent years I was privileged to host some of the animation Q&A sessions that have been rolled out over the course of the festival. You can give those a watch below should you be so inclined.

Accompanying the presentation of the official selection this year is Reflective Encounters, a series of critical mini-write-ups of the shorts in competition by a variety of journalists and writers including Laura-Beth and myself. If you want to learn more about the films you can have a read of Laura's writings on Joanna Quinn's Affairs of the Art, Michelle and Uri Kranot's The Hangman at Home, Bastien Dubois's Souvenir Souvenir, Mathilde Parquet's Trona PinnaclesDina Velikovskaya's Ties, Daniel Gray's HIDE, Ann Thiel's Shtum, Petra Steptic and Maren Wiese's Jeijay, Yuan Elizabeth Xu's Breaking Bread, Noam Paul's The Quest for Freedom and the Longing for Belonging, Martin McNally's Excerpt, Michael Salkeld's Abstraction and Coffin from Gobelins. Meanwhile I take a look at Marine Blin's What Resonates in Silence, Tomek Ducki's PlantariumKatarzyna Agopsowicz's Prince in a Pastry Shop, Chenghua Yang's Self Scratch, Paul Mas's Precious, Cliona Noonan's Wet and Soppy, Marie Lechevallier's Knot, Claude Cloutier's Bad Seeds, Przemyslaw Swida's Co-Ognition, Yi-Han Jhao's The Frolic and Renee Zhan's Soft Animals


Renee also joins us for the latest episode of our Skwigly podcast Intimate Animation. Since beginning her animation studies at Harvard University, her films also include the Sundance Jury Award-winning Reneepoptosis (recently released online) and last year’s National Film and Television School mini-epic O Black Hole. Give it a listen below - or a download, whatever melts your butter.

Also discussed in this episode - more Encounters highlights including some of our Reflective Encounters focuses as well as the Animated Encounters Grand Prix winner Farce (dir. Robin Jensen), the Best of British Animation Award winner Eating in the Dark (Dir. Inari Sirola), Annah la Javanaise (dir. Fatimah Tobing Rony), Günter Falls In Love (dir. Josephine Lohoar Self), Love is Just a Death Away (dir. Bára Anna Stejskalová), Sweet Nothing (dir. Joana Fischer/Marie Kenov) and Granny’s Sexual Life (dir. Urška Djukić) plus recent work from Henriette Reitz, Christa Jarrold and Future Power Station.

In our latest episode of Animation One-To-Ones earlier in the month I also met Marie Valade, whose film Lolos (Boobs) is screening at part of the Encounters Late Lounge programme. Both equally poignant and witty, the film sees a young woman drawn in ink who is forced to deal with paper breasts that appear on her chest, leading her into increasingly unusual situations that reveal her deepest anxieties. We also discuss Marie's work as co-director of Festival Stop Motion Montreal, whose fifteenth edition just wrapped. You can watch the video above (don't forget to subscribe to our channel so as not to miss future episodes) or stream/download the audio podcast version.

If you're in a reading mood you might also want to check out my written interview with Ida Melum, whose NFTS grad film Night of the Living Dread is screening in both the animation and comedy programmes. The film - in which we follow the nighttime tribulations of Ruby, a young scientist whose attempts at sleep are obfuscated by an ever-relatable onslaught of embarrassing memories - brings Ida’s gift for storytelling, observational comedy and adventurous set pieces together with a full team of talented artists. She's definitely one to watch out for.


The Manchester Animation Festival has revealed its 2021 programme and with it the rather splendid news that Laura-Beth's latest film Crafty Witch (on which I made some noises and tickled some ivories) will be part of their MAFter Dark screening. This will take place in-venue at HOME 8:30pm on November 17th and online an hour later. The day before, festivalgoers can virtually join Steve and I for another edition of our rage-inducing Skwigly Quiz. That'll be at 9:30pm on the 16th so hope to see some of your lovely faces in those Zoom windows. Grab your passes from noon tomorrow!

You can catch Crafty Witch before then - this week, in fact - if you happen to be hanging out in Maribor, Slovenia where the 11th StopTrik International Film Festival is about to kick off. The film will be screening this Thursday at 3pm in the Big Hall at the Vetrinj Mansion as part of the festival's Panorama programme. Don't forget it's also part of the Encounters programme for the next couple days if you happen to have a pass for that.

Look, I went full circle; I'm smooth like that.

Wednesday, 25 August 2021

Seriously, where's the butter?


Well hey there, gang. Hope your August has been positively majestic.
Been a quiet spell for Speed but we've got ourselves a couple September screenings comin' up. First up is the 16th edition of Breda's BUT B-Movie, Underground & Trash Film Festival over in the Netherlands. I've always had a soft spot for these folks going back to when they screened my old student short House Guest in 2009; more recently they gave my 2018 gore-fest Sunscapades an airing and it's reassuring to know that, six films in, I'm still pretty trashy. This looks like a hybrid festival and Speed will be part of the Shorts Block 2: Mean Girls with the physical screening taking place September 5th 7:30pm at the Nieuwe Veste arts centre. Alas the online program is only available to locations in the Netherlands, but if you're so geographically blessed you can find out more at their website.


Later in the month will see the 10th anniversary edition of FIFIGROT Festival du Film Grolandais over in in Toulouse, France. Speed can be seen in Au bon moment as part of their Bar-Bars Cine-Bistrot et concert programme on the 24th September 8:30pm at O Bohem. Check out their full programme here.


In our latest episode of Intimate Animation Laura-Beth catches up with Will Anderson, whose film Betty was just released online this month following a festival run including screenings at Pictoplasma, Encounters, Animafest Zagreb, GLAS and PÖFF Shorts as well as a BAFTA Scotland win and Scottish Short Film Award at the Glasgow Short Film Festival. As with all of Will's films it's funny and unique as well as being genuinely quite touching. This was one of my favourites of the last couple years and I was privileged to get to screen it as part of Cardiff Animation Nights back in March - definitely give it a watch and have a read of Laura-Beth's longer interview from around this time last year.
Also discussed in this episode: The evolution of Lisa Hanawalt's Tuca and Bertie having moved to Adult Swim for its second season, BlinkInk's E4 miniseries Blind Love on First Date Island, Adeena Grubb's stop-mo short Dating is Shit, Sacha Beely/Strange Beast's animated Gillette spot A Song For Pubes and Diablo Cody's inscrutable “sexying up” of The Powerpuff Girls. Stream above or download 'ere, why doncha?

Lastly it's worth a mention that my book Independent Animation is again available to nab at 20% off as part of the publisher's Social Science sale. In fact for the next little while you can whack that discount all the way up to 40% if you enter the promo code X001 at checkout. Not too shabby, eh? You have to buy it from Routledge, mind, but they cover your shipping so why the ever-lovin'-heck wouldn't you?

Monday, 12 April 2021

Jabberin' on


Something to perk you up during this mostly-overcast springtime is the beginning of a brand new season of our podcast series Intimate Animation. In this episode Laura-Beth speaks with sensational director Shoko Hara whose Oscar-longlisted animated documentary Just A Guy, exploring the complex world of women sexually attracted to violent sociopaths (specifically Richard Ramirez), has been doing the rounds at some of the biggest festivals out there as well as our recent Skwigly Screening for Cardiff Animation Nights where it got some tongues wagging. 

We also discuss the strangely hypocritical sexual politics of Space Jam 2, curious European IPs such as Monsieur Flap and John Dillermand, new series including Solar Opposites and the return of Big Mouth as well as short films of note from the CAN screening, TAAFI's recent online edition and this year's Annecy official selection. You can stream the full episode above or download here, though if you're tight on time right now here's a little Insta-preview:

If you're in a Skwigly mood you might also want to check out the full interview with recent Nexus signees Haein Kim and Paul Rhodes whose film Peepin was also part of the CAN screening. 


Another update regarding the Brussels Independent Short Film Festival: Courts Mais Trash whose final form will be as an online event and not a hybrid as previously hoped. The dates will be the same (April 21st-28th) and the full programme will be accessible via a super-cheap event pass, unless you live outside of Belgium in which case you'll be able to just see nine out of ten programmes so it's still a good deal. Thankfully Speed is part of the Ouverture screening which can be viewed worldwide, so y'all can breathe a huge sigh of relief on that front.

Speaking of festivals, I'm back on preselection for another edition of the illustrious Encounters Film Festival and it'd be mighty lovely to check out any new fillums you fine fillum-maker folks out there might have in the chamber. I've been fortunate enough to be involved in this particular event as a filmmaker, journalist, event host and curator (not all at once...well, sometimes a couple of those at once) and it's always a blast, so you could do a damn sight worse than checking out their call for entries. Incidentally you can watch my specially-filmed introduction to Speed's inclusion in last year's edition; it's sure to answer any burning questions you may have about the film: