Monday, 15 January 2018

Kickey Muck

https://www.thenewcurrent.co.uk/benmitchell-klementhro
As part of their coverage of this year's edition of British Shorts in Berlin (which had the good manners to screen Klementhro on Friday), the fine folks at indie film mag The New Current interviewed me about it. Have a read here for some wafflings about making indie animated films, managing Skwigly and putting together my book.
Elsewhere the new Bertram Fiddle game A Bleaker Predicklement (from pals Rumpus Animation and featuring yours truly attempting a variety of dubious regional accent) has this week expanded its release to include Android, so get downloadin' for Pete's sake!
You'll marvel at Blacksmith and Little Wacksmith's geographically inexplicable voice characterisations
If you want to get caught up then throughout this week you'll be able to get yourself a copy of the first game A Dreadly Business - one of the major case studies of aforementioned book, don'cha know - for free! If that doesn't kick Blue Monday up its blue arse I don't know what will.

Monday, 8 January 2018

Ich bin ein Berlin-type guy

http://www.britishshorts.de/programmEN.html?id=1157852577126700000
I'm pleasantly surprised to say that, as Sunscapades nears its finish line (for real this time), my previous film Klementhro still has a bit of life in it yet. This coming Friday (12th) it will get its first (and possibly last/only) 2018 screening in Berlin at the 11th Lichtspielklub Short Film Festival (AKA British Shorts), a fantastic-looking event I'm disappointed to not be able to attend in person. The screening will take place at the Sputnik Kino at 7:30pm, click here for more info on what else is playing. Having a skim of the programme it looks like there are some belters representing the animation side of things, including recent work by Robert Morgan, Joseph Wallace, Liam Harris, Sara Barbas and Will Anderson among others, so give it some love if you're in the city.

Sunday, 7 January 2018

Reel Gone

It's been a good long while but I've given the ol' showreel a bit of an update:
Hopefully over the course of this year I'll be able to do a complete revamp with footage from some of the recent projects I've worked on that I'm not allowed to share just yet. In the meantime this one is structured in much the same way as it's been for the last few years with the addition of some first looks at several scenes from Sunscapades and a couple snippets from stuff like Klementhro and Lendas Animadas.
Hope it entertains for a minute and a bit. If it moves you to hire me that'd be even better. I brighten any workplace with my puckish-yet-unobtrusive bon mots and have been told I make a tolerable cuppa.

Thursday, 4 January 2018

If you have 48 minutes to kill

https://open.spotify.com/album/4FCECZYmFFHJYl5ReoyECl
Happy new year, ya filthy animals.
Alongside the usual animationey chunks I'll be expectorating into the world over the coming months I'm keen to have 2018 be a year for some new - or, at the very least, unheard - music of mine. Rather than get ahead of myself and outline what I have planned - because whenever I do that on here it pretty much guarantees it won't pan out (remember when Sunscapades was supposedly going to be done by last May?) - I'm first going to tackle the long-overdue expanded digital release of some old albums.
Kicking things off I'm happy to say the fifth Struwwelpeter album The Birdcage, originally released May 2015, is now available on a wider variety of platforms as of today. These include iTunes/Apple Music, Amazon and Spotify among others. You can give the Spotify version a whirl below - it's free, fun and the health risks are slim:
Hopefully some of the other Struwwelpeter albums will see the light of the day as well, which would be nice as a lot of them have been OOP for a fair few years now. I'll play it by ear. In the meantime the original digital release is still available on Bandcamp and, for you old-fogeys, compact disc. Whatever's your pleasure.