Monday, 11 August 2014

Abandoned Language
What's new, folks? How about this latest episode of the Skwigly Podcast, eh? Out today, full of goodness, from my hard drive to your awaiting earholes. Don't say I never do nothin' for ya.
I'm happy to say that, over two years in, putting these together is still quite exciting, especially with such high-caliber guests. In this episode we have Bonnie Arnold from Dreamworks, producer of the How To Train Your Dragon movies, Toy Story and, rather awesomely, The Addams Family. The good version of The Addams Family. Also from the world of Dragons we have an extended version of our chat with Dean DeBlois which featured on the last episode of Lightbox. On top of this Laura-Beth talks to Disney talents Patrick Osborne, Kristina Reed and Jeff Turley, director, producer and designer respectively of the upcoming short Feast which we managed to get a look at in Annecy.
Meanwhile, in a less traffic-heavy corner of SoundCloud, I've bunged up an old track from an obscure LP I worked on under the moniker Silverfish. I don't think I've ever brought that particular project up on here as it was slap-bang in the middle of my MA and I did a pretty crappy job on the production. The album was made up of two soundscape EPs The Bug Chaser and The Gift Giver, shmushed together. It has a mix of songs and noise pieces generally darker and less marketable than my Struwwelpeter albums and I never felt that motivated to push it, only knocking out fifty self-pressed copies to give away at shows. Listening back I reckon it actually has potential to be quite an interesting little record if I took some proper time redoing the production. This track is my first such experiment in that regard, one of the more 'song'-type songs which always been fun to sing live. I sprinkled some Reason magic over it and it makes a world of difference. Have a listen:
Just for the record, the above is as 'radio-friendly' as the album gets.
Lastly, this week is crunch-week as far as Project Group-Hug goes, so any of you out there who might wish me well (for whatever baffling-yet-appreciated reason) do keep your fingers crossed.

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