Tuesday 20 September 2022

Pod Pals

Some new podcasts for your waitin' ears. In episode 106 of the Skwigly Animation Podcast we welcome back pals o'Skwigly and all-around good eggs Matthew Walker and Jane Davies, directors of the new Aardman series Lloyd of the Flies. Beginning on CITV this week, the project marks the continued expansion of Aardman’s project roster as its first “in-house” CG production with a major brand push planned for the show and its characters.

Also discussed: The premature demise of the Young Audiences Content Fund, notable projects from the recent Disney D23 Expo, the South Park 25th anniversary concert, excitement for upcoming Netflix features Wendell & Wild and Pinocchio, Mike Judge’s second Beavis & Butt-Head reboot, fake/scam festivals and mysteries surrounding the production circumstances of the new Ren & Stimpy Show.

Our series of podcasts minisodes in association with the Linoleum Contemporary Animation and Media Art Festival programme I'M FINE! continues with episode 3, in which I speak with Fabienne Priess (Tick) and Jakub Krzyszpin (Inertness) about their work and mental health in general.

If you're based in the UK you can catch the full I'M FINE! programme at the Bolton Film Festival on October 7th 10:45am at the Bolton Museum. You might also want to check out some companion written interviews over on Skwigly with participants Yen Liang Chen (Am I Oright), Angel Wu (Drawn Undrew Draw) and Anna Samo (Conversations with a Whale).

Some festival news for you France-dwelling folk, my film Speed will be among the line-up of the 2022 Festival International du Court Métrage de Lille's all-night animation programme Nuit de l’animation. This takes place September 24th at Théâtre Sébastopol from 9pm and goes through to 6am, so maybe bring a thermos.

Much love and gratitude to the folks out there who've supported the new album My Head Is Too Small for My Body over on Bandcamp the last few days. If you're a milleniboomer like me who still holds on to such archaic methods of music consumption as iTunes then the album is also available via Apple Music, and if you're more of a streamer than a buy-for-keepsies-er then it's available now on Spotify:


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