Showing posts with label Lori Malépart-Traversy. Show all posts
Showing posts with label Lori Malépart-Traversy. Show all posts

Wednesday, 12 March 2025

Bedside Literature


I'm very excited to announce the official release date of the latest Skwigly book - Intimate Animation - by myself and the incredible Laura-Beth Cowley.

In recent years, there has been a surge in animated projects that have pushed boundaries, broken taboos, prompted discussions and wowed festival and online audiences alike through compelling storytelling and unmatched artistry. Join Ben Mitchell and Laura-Beth Cowley of Skwigly Online Animation Magazine and the Intimate Animation podcast as they take you on a tour of the landscape of contemporary animated films that deal with themes of love, intimacy, relationships, anatomy and sexuality – and the incredible artists behind them.

Through research and firsthand interviews with trailblazers such as Signe Baumane, Andreas Hykade, Ruth Lingford, Michaela Pavlátová, Bill Plympton and Joanna Quinn, as well as newer voices including Sawako Kabuki, Renata Gąsiorowska, Will Anderson, Sara Gunnarsdóttir, Michaela Mihalyi, David Štumpf, Levi Stoops, Lori Malépart-Traversy, Anna Ginsburg, Veljko Popovic, Joseph Wallace, Renee Zhan and more, Intimate Animation looks deeply at how animation has been used to present elaborate and complex concepts relating to love and sexuality.

Exploring the role animation has played in sex education, self-discovery, the body, lust and love, as well as how the medium can be used to visually represent emotions, feelings and concepts not easily described in words nor depicted through live-action filmmaking, Intimate Animation is the ideal book for professional animators, filmmakers, enthusiasts, researchers, academic and students of animation and film studies interested in the themes of love and sexuality.

The book will be released March 27th and is available to pre-order now (use code LP96LCNPH at checkout through this month for a whopping 20% off!)

Monday, 13 June 2022

That 'monthly roundup' idea didn't pan out, did it?

I've been kinda quiet 'cause, well, shucks, I don't have a whole lot to say these days. I'll rattle off some general updates to keep this site from going into atrophy.


The epic, protracted journey of Chuck Steel: Night of the Trampires has reached its conclusion (some five years after I joined the film's post-production team in its latter months) with a suitably-retro home media release. I don't really buy blurays, except for the occasional animation one, but the sheer strength of craft that went into this is a pretty good justification to pick it up and by some accounts I've read this version looks a little nicer than its streaming alternatives.

Another journey's end worth mentioning is my stint with the fine folks at Shy Guys Studios wrapping up after four-and-a-bit years. It's probably the longest I've been at one place (albeit while juggling a ton of other gigs on the side, as my gluttony for punishment dictates) and it led to some really fun projects including graphics and titles for a bunch of TV shows, animation for educational/health films (the one above was a lot of fun) and my most recent film Speed which managed to tick a few more festival selections off my personal wishlist. As with all the best gigs the real highlight was the people I got to meet through it and I hope we'll manage to work alongside one another again down the line.

Elsewhere the world of Emojitown is growing like gangbusters, having just hit a million followers on its main YouTube channel and over 125k on its more recent TikTok channel. I've been working with WildBrain Spark as a consultant and contributing director/producer on its social media shorts which have accrued a stunning 250+ million views since the end of last year. It's a pretty incredible thing to see this kind of response to a brand new IP, so fingers crossed things continue as it's been a fun world to be a part of and occasionally inject my weirdness into.


Things are still active and busy over in the land of Skwigly (I certainly post there a lot more than I do here) with some National Film Board of Canada/Annecy coverage highlights including a chat with Métis filmmaker Terril Calder (Meneath: The Hidden Island of Ethics) and conversation with multi-Oscar-nominated duo Amanda Forbis and Wendy Tilby (When the Day Breaks, Wild Life and The Flying Sailor). Also in competition at Annecy is Magical Caresses, an NFB series on demystifying masturbation by Le Clitoris director Lori Malépart-Traversy, who returns to our podcast Intimate Animation to discuss the project. Stream below or download here. 

Other coverage to check out includes an interview with Hamish Steele who recently adapted his progressive YA graphic novel series Deadendia into a new Netflix show Dead End: Paranormal Park (some brilliantly talented folks worked on this one), Laura-Beth's interview with Sam O'Leary, who did an incredible job paying tribute to the shit-your-pants-scary animated PSAs of yore in the series 7 finale of Inside No. 9 (cheers to Mr. Shearsmith for the RT), a trifecta of interviews for Autism Awareness Month with Jorge R. Gutiérrez, Dani Bowman and Grainne McGuinness courtesy of writer Martyn Warren and new contributor Ryan Gaur's editorial pieces on streaming vs cinema, the upcoming Futurama reboot and the feature film Lightyear.


Ryan joins the latest episode of the Skwigly Animation Podcast with a segment interviewing Lightyear director Angus MacLane and producer Galyn Susman. We also feature a chat between Laura-Beth and director/writer Loren Bouchard, co-director Bernard Derriman and co-writer/producer Nora Smith of The Bob's Burgers Movie. Again, it's streamable below and here's your download link, ya lucky so-and-so.

I think that's all the talk-about-ables for now. This summer might see things get a bit less quiet as there are a bunch of project announcements on the horizon, so, y'know, stay mildly alert.

Tuesday, 15 August 2017

How about a little music?

https://soundcloud.com/skwigly/animation-composed-1-01
Following on from our end-of-year special back in December, I've launched a new Skwigly podcast series Animation Composed, a celebration of the harmonious relationship between music and animation.
In our first episode co-host Wez and I explore the musical side of some favourite animated shorts, including Le Clitoris (Dir. Lori Malépart-Traversy), Lonely Bones (Dir. Rosto) and Analysis Paralysis (Dir. Anete Melece) among others.
We also meet Paris-based composer  Mathieu Alvado, whose work spans over 50 short films including the recent animated projects To Build A Fire (Dir. FX Goby, Nexus) and The Inspector and the Umbrella (Dir. Maël Gourmelen). Having studied at the Bordeaux Conservatory, the Saint Maur des Fossés Conservatory and the Conservatoire National Supérieur de Musique et de Danse de Paris, Mathieu has received three Jerry Goldsmith awards and collaborated with numerous ensembles including the London Symphony Orchestra, the Philharmonia Orchestra and the Paris Symphonic Orchestra.
Full playlist:
  • Overture (To Build A Fire) – Mathieu Alvado
  • Anton im Kaufhaus (Analysis Paralysis) – Ephrem Leuchinger
  • Theme from Boris-Noris – Ben Mitchell
  • Une bonne petite souris (Quenottes/Pearlies) – Mathieu Alvado
  • Building A Fire (To Build A Fire) – Mathieu Alvado
  • Clitoris Magnificus (Le Clitoris) – Eliazer Kramer
  • Lonely Bones – Thee Wreckers
  • Wings and Oars – Pierre Yves Drapeau
  • End Credits (The Kiosk) – Ephrem Leuchinger
  • The Inspector and the Umbrella – Mathieu Alvado
  • New Fire (To Build A Fire) – Mathieu Alvado
  • End Credits (To Build A Fire) – Mathieu Alvado
  • Reprise (The Inspector and the Umbrella) – Mathieu Alvado

Thursday, 20 October 2016

Anatomy Lesson

https://api.soundcloud.com/tracks/289145817/download?client_id=02gUJC0hH2ct1EGOcYXQIzRFU91c72Ea
In the latest episode of our Intimate Animation podcast Laura-Beth and I meet award-winning Concordia graduate filmmaker Lori Malépart-Traversy, whose student short Le Clitoris has generated a great deal of buzz since it premiered in June of this year.  The film uses traditional 2D animation techniques to tell the story of the oft-misunderstood clitoris and how its standing in society has changed over the centuries, from the patriarchal attitudes of the Catholic Church to the dismissive theories of its ‘Enemy Number 1’ Sigmund Freud.
Having won the Audience Award at Womanimation! and Best International Student Short Film at Animasivo, the film’s ongoing festival run includes showings at Ottawa, Anima Syros, KROK, FAFF, Anim’est and the TIAS Animation Showcase, with upcoming screenings at Anima Mundi, KLIK! Amsterdam Animation Festival, DOK Leipzig and Sommets du cinéma d’animation.
Subscribe, direct download or stream below: