Our last podcast of the year is now live over on Skwigly (or basically anywhere you get your podcasts). In this episode we're joined by Liane-Cho Han and Maïlys Vallade, co-directors/writers of the celebrated animated feature Little Amélie or the Character of Rain. Stream below or download here.
Also discussed: The launch of Skwigly pal Gareth Cavanagh's Square Window podcast, The Simpsons x Fortnite crossover and the cursed history of Simpsons video game tie-ins, Mike Judge’s laudable reboots of King of the Hill and Beavis and Butt-Head, recent festival funtimes at Encounters, Overlap, MAF and LIAF and we preview the year’s animated holiday specials. We also review Michel Gondry’s Maya, Give Me a Title, Common Side Effects, Smiling Friends and Beryl, the new book from Joanna Quinn and Les Mills.
On a fittingly seasonal note, a new animated take on Lucy Cousins's My Friend Maisy has launched this month on Sky. I had a lovely time working on this a couple months' back at Bristol's A Productions. So if you're in a snowy mood, check it out on Sky Go.
Update 05/01/26 - the full launch episode Snowy Day is now up on their official YouTube channel:
Before I crack on with the latest round-up, I wanted to make a point of saying that the 30th edition of the Encounters Film Festival was absolutely fantastic. Much love to everyone who voiced their enjoyment of the selection; after a few years of animated shorts not getting their own dedicated strand, it means more than you know. All being well, we'll be back again next year for an even bigger and better edition.
As one festival ends, another is ramping up. It's looking to be another superb Manchester Animation Festival up North this November with a whole host of animationey goodness on offer. Chuffed to be presenting mine and Laura-Beth's book Intimate Animation (6pm 11th Nov, Manchester Central Library) as well as another all-new Skwigly Screening (7pm 12th Nov, HOME). Of course, Steve and I will be inflicting another edition of the Skwigly Quiz on festivalgoers right after (8:30pm 12th Nov, HOME). So get your diaries out and pencil 'em in.
Some nice news on the Intimate Animation front, in the October issue of the rather splendid BFI magazine Sight & Sound it has been selected as Editor's Choice by reviews editor Katie McCabe. I'm sure most of you reading likely already have a subscription, but just in case you can grab yourself a copy of the issue here. If you didn't make the Encounters presentation and missed getting your hands on a copy, the fine folks at the Arnolfini bookshop have held a few copies back at the same discount, so pay them a visit and grab it while you can. Failing that, the publisher currently has a site-wide sale, so if you buy it directly from them you'll get 20% off. Better than a kick in the pants.
If you're in the market for some inspirational podcast listenin', you'll want to check out the latest episode of Animation One-To-Ones featuring absolute legend and stalwart pal o' Skwigly, Joanna Quinn. We mainly discuss her work with the initiative AC4Pal (Animation Community for Palestine) in support of the efforts of Gaza-based educator Haneen Koraz, which recently culminated in the global anijam To Gaza with Love, which brought together 329 short films from over 50 countries. Joanna is always a joy to listen to, so give it a stream, watch or download; she also has a book of her own out now, so give that some love too while you're at it.
A bit of music to wrap up on - in anticipation of a 15th anniversary vinyl reissue of my 2010 album The Book of Women, and as a personal nod to the 40th anniversary of the Mario franchise, I'm putting out an extremely limited (20 copies - I'm a realist) run of the preceding, long-out-of-print 2008 EP Sibling Ribaldry, which will include the titular love-letter to Super Mario Bros. and three extra tracks from the album sessions not available on any other vinyl release. Give it a shufti here.
After some ruminatin', I think there might still be a few last gasps of life left in this here blog. Ahead of a big announcement coming up next week (that will probably explain why my energy for writing has been depleted of late), here's a roundup of some fun stuff I was involved with during the quiet spell that may be of interest.
Back in May Laura-Beth and I were at the always-wonderful Cardiff Animation Festival to host their brunch sessions and chat with attending filmmakers Tanya J Scott, Gerald Conn, Hannah Fisher, Naomi Crame, Lleucu Non, Josh Hicks, Tova Persson, Hoching Kwok, Gus Andrews, Qianhui Yu, Samantha Moore, Greg McLeod, Robert Brown, Katie King and Faye Craig. For those who weren't able to make it, these were recorded and put out as podcast minisodes, so brew some coffee, grab a croissant and have a listen. It'll be like you were there, boy-howdy.
Skipping ahead to November, Manchester Animation Festival was great shakes as ever. More of a flying visit this time but I did manage to cram in hosting duties for three events, including an all-new Skwigly Screening, the ever-bloodthirsty Skwigly Quiz and a special event wherein emerging talents from the Ukraine presented their animation projects in development. The event was part of a mentorship initiative brought about by Skwigly's collaboration with the Linoleum Festival and the UK/UA Animation Lab, which also yielded a series of free online lectures seeing industry professionals dispense invaluable advice. I was privileged to host one with producer extraordinaire Helen Brunsdon (below) and you can check out all six here.
To my delight, everyone's favourite stop-mo nightmare-weaver Robert Morgan (of Bobby Yeah and The Cat With Hands fame) had his first feature film Stopmotion released. A live-action/animation hybrid tale of an animator's relatable descent into madness, the film is hideous and horrible in all the best ways and definitely worth checking out. I was very happy to host a special CAF screening and discuss the film with the director himself, which you can check out below:Robert and I discuss the film further in episode 113 of the Skwigly Animation Podcast, which is still ticking along. Other episodes we put out last year include a British Animation Awards special, a celebration of Cartoon Saloon's 25th anniversary and chats with the talents behind 2024's holiday features and specials.
On the guests front we've also featured Chris Sanders (The Wild Robot) with Nick Park making a welcome return alongside fellow Aardman-ites Merlin Crossingham and Ben Whitehead to chat all things Wallace & Gromit: Vengeance Most Fowl. In our Animation One-To-Ones strand, which has continued to be a fantastic vehicle for our contributors to get some facetime with the movers and shakers of the industry, I also caught up with industry stalwarts Torill Kove and Job, Joris & Marieke. Speaking of contributors, I would be remiss to not shout out the fantastic work being created for the site by our wonderful team including Ryan Gaur, Martyn Warren, Jordan King and Kévin Giraud.
On the written features side of things, a couple pieces you might want to check out include chats with the fabulous NFB producer Maral Mohammadian as well as Zach Woods (creepy Gabe from the US version of The Office) and Brandon Gardner on their stop-motion NPR tribute sitcom In The Know. More recently I wrote a little summary of the late great David Lynch's own dabblings in animation over the years. Not an easy write as, being such a massive influence and all-around mensch, the news of his death rattled me. But ultimately it was a gratifying exercise and a rare excuse to lump together a bunch of factoids floating around my head that wouldn't necessarily have had much use otherwise.
Throughout the year Skwigly, Rumpus and Sun & Moon also continued our Bristol Animation Meetups (BAM), with four hugely successful seasonal events that included our established industry one-on-one sessions in the Spring and Autumn, a big chunky BAM quiz in the Summer and a seasonal collab event with AnimInspo to cap off the year. We have some fun irons in the fire on the BAM front, so keep your eyes on our socials to not miss out.
As to why I didn't bring any of this up at the time, well...here's the culprit.
Her name is Ivy. She saps all of the time I used to have for blogging because she's so adorable and her demands are both constant and merciless. Kind of lowkey ruined our life at the beginning, but hey, at a certain point you come around and fall in love. Dogs, what are they like?
So I think you're about caught up now. Stick around, more news a-comin'.
It’s been probably the longest stretch of radio silence on here since I started the strange, protracted, attention-seeking endeavour that is this blog. Personal circumstances innit. Anyways, here’s some stuff that’s happened in the interim.
Laura-Beth and I wrapped up the fourth season of Intimate Animation with a special live edition recorded at Manchester Animation Festival (which was a blast) back in November. We’re joined by director Phil Wall and producer Chloe Beale of Strange Acre Studios, discussing their recently-completed BFI-funded short film Woodland, as well as Julia Wiza to talk about her Nottingham Trent University thesis film Bogdanka. Much gratitude to everyone who came, as well as the MAF and HOME team for getting everything set up.
The last Skwigly Animation Podcast of 2022 features a chat between myself and - holy shit - Guillermo del Toro, joined by Pinocchio co-director Mark Gustafson. Not too fucking shabby, eh?
If that hasn’t gotten you dazed and confused, another chap possibly more well-known as a live-action director that I got to speak to recently is Richard Linklater, chatting about his recent feature Apollo 10½: A Space Age Childhood alongside his longtime animation collaborator (A Scanner Darkly, Waking Life) Tommy Pallotta.
CAF on Tour, featuring Laura-Beth Cowley’s Crafty Witch, is still making its way across the wonderful land o’ Wales. A couple dates for your calendars this month:
Some stuff's a-happenin' in the near (and nearer) future you might want to check out if you happen to be nearby. First off a late (last?) hurrah for my short film Speed as it joins the wonderful German touring programme Shorts Attack following its inclusion in the Interfilm Berlin festival back in 2020. Starting today it'll be amongst the lineup of the October selection Wo die Liebe hinfällt (Where Love Falls) alongside some of my favourite recent animations Just A Guy (Shoko Hara), Cipka (Renata Gasiorowska), Dans La Nature (Marcel Barelli) and Mmm...Cat (Yongxin Wang) as well as some live action shorts that look like fun. Check out the full list of dates and venues over on their website if it sounds like your cup of Schwarztee.
Next month the Manchester Animation Festival will be back at HOME for a full physical edition after being mainly online for the last couple years. I'll be there for a nice chunk of it to muck in with several of the events - the Skwigly Screening will return for the first time since COVID on November 14th at 2pm and there'll be a special live edition of mine and Laura-Beth's podcast Intimate Animation on the 16th at 3:45pm. Later that day at 8pm our traditionally infuriating Skwigly Quiz will give festivalgoers a chance to viciously compete with one another before scratching and clawing their way to the prize table. There'll also be a screening of the Linoleum programme Sensitive Content followed by my recorded Q&A with the participants at 6pm on the 14th and Laura-Beth will be part of the panel Animated Answers: 3D Printing at 4pm on the 15th. As always there's a ton of other great stuff that'd be too long to list here so go ahead and check out the programme and grab yourself a pass.
My pals at the Manchester Animation Festival have kicked off a new series of year-round social/screening events MAF Presents, which began earlier this month with their first programme They Love Me, They Love Me Not that kindly featured my latest film Speed. If you're up North be sure to keep your eyes on their site and socials for updates on upcoming events as I'm sure you're itching to get back into the swing of that whole human contact thang.
On a similar note, the wonderful Cardiff Animation Nights gang have resumed their in-person events as well as carrying on the online screenings they started during the pandemic, so be sure to follow what they're up to as well. Even more exciting is the return of the Cardiff Animation Festival, whose third edition will take place at their usual Chapter Arts venue April 7th-10th, knock wood, with an online version going through to the 24th. There'll be more specific programme info to come but in the meantime I can confirm I'll be there to host the filmmaker Q&As and Laura-Beth Cowley's recent project Crafty Witch is among the festival's official selection as part of the Shorts 7: After Dark category. Pop it in your schedules!
Also on the events front, the biennial British Animation Awards - on which I mucked in as preselector/jury - will be happening on March 10th at the BFI Southbank with signal events in Bristol, Cardiff, Salford and Stirling if a Thursday night trek to London isn't doable but you still want to check out the festivities. All being well I'll be at the main event so hopefully will see some of y'all in the big smoke; I won't hug you but we can affectionately exchange finger-guns. Otherwise be sure to check out their site for the various viewing and ticket options they have.
Before any of that will be Speed's inclusion as part of Anima Brussels next weekend. Since the announcement of the official selection I now know it will be part of the second Animated Nights block on Saturday, March 5th, kicking off at 10pm in Flagey Studio 4 and 10:30pm at Palace. I'm properly gutted that I won't be able to make it in person as seeing Sunscapades as part of the same programme a couple years ago was an absolute blast, but right now the faff of getting in and out of Belgium would just be too disruptive to make it feasible. Fingers crossed I'll make it back over there before too long.
Following on from last month's UK streaming release of Chuck Steel: Night of the Trampires, it will be traveling further afield as of March 1st with its arrival on streaming platforms in the US, Canada and Australia. It's a job I have a lot of fond associations with and it's really nice that all the hard work the crew put into it will get some wider visibility. Check out what viewing options are available to you here.
Over on Skwigly I've delved a bit further into the production of the incredible Netflix film The House (the directors of which I interviewed last month) via an interview with Nexus Studios producer/co-founder Charlotte Bavasso. As well as discussing the film itself we also go into the early days of the studio and what the future may hold - it was a real treat to chat with her and I hope you find her insights as inspirational as I did.
Having been out of print for a little while I'm pleased to see that We Still Care A Lot, the tribute album I contributed to in honour of the late Chuck Mosley, has finally gotten itself a digital release. You can check out the full album over on Bandcamp.
Not a whole bunch else I can explicitly talk about but if you happen to be one of those trendy youngsters who lurk about on TikTok you might want to go ahead and follow this little IP that's on the grow. The keen of ear may even detect a familiar vocal performance in the video below:
In our final Skwigly Animation Podcast episode of 2021 we're delighted to welcome the teams behind some of this holiday season’s most anticipated animation projects. Our prolific contributor Martyn Warren speaks with Jared Bush and Charise Castro Smith, the directors of Disney's Encanto, as well as the film's producer Clark Spencer. We also welcome Jac Hamman and Sarah Scrimgeour, the directors of Magic Light's latest Julia Donaldson and Axel Scheffler adaptation Superworm which airs 2:30pm Xmas day on BBC1.
Another animated adaptation hitting screens on December 25th is Eagle Eye Drama's take on Terry Pratchett's The Abominable Snow Baby, which airs 7:30pm on Channel 4 following the success of their 2020 animated version of Quentin Blake's Clown; director Massimo Fenati joins us to talk about his career and how the projects came together.
Also discussed in this episode: The recent passing and legacy of respected animation historian Giannalberto Bendazzi, Manchester Animation Festival 2021 event highlights, podcast fanmail, this year’s new South Park specials and the catastrophic reception to the new seasonal stop-motion series Santa Inc. Stream above or clickety-here to download.
If you're after more holiday viewing then it's worth mentioning that the BBC4 documentary Secrets of British Animation was recently repeated, which means it'll be on the ol' iPlayer for the next few weeks. It's a great (if brief) look at what the UK has brought to the table on the animation front, occasionally interrupted by myself and Steve offering up the odd bon mot here and there, so if you missed it the first time around give it a look-see.
In the latest episode of the Skwigly Animation Podcast we welcome Mikey Please and Dan Ojari to discuss their seasonal Aardman short Robin Robin, coming to Netflix next month. Written by Ojari, Please and Sam Morrison, the short is produced by Helen Argo with Sarah Cox exec producing; it's lovely looking and something wholesome to bung on as the nights grow darker and foreboding-er, so be sure to add it to your watchlists.
Also discussed in this episode: Event highlights from this year’s upcoming Manchester Animation Festival, including feature film presentations My Sunny Maad (dir. Michaela Pavlátová) and Flee (dir. Jonas Poher Rasmussen), The House WIP, Animated Answers featuring Ainslie Henderson, MAF Fellowship Award recipients Jorge R. Gutiérrez and Sandra Equihua’s new series Maya and the Three and the return of the much anticipated/feared Skwigly Animation Quiz.
After a long period floating around in distribution limbo Chuck Steel: Night of the Trampires (on which I whipped up some old-school, Richard Edlund-esque VFX and made some grunty background noises) will finally be getting itself a UK cinema release. Head over to the film's official site for local showtimes; it'll be around for a week or so from the 29th. If you're not sure what to expect, well, the trailers don't really leave much room for ambiguity:
It's sure to be contentious (I doubt the director would have it any other way) and I have immeasurably fond memories of working on it as well as the wonderful folks I got to know through it. It also boasts some of the strongest stop-motion animation I've ever seen by some of the absolute best in the business; a shame for them, then, that my job was essentially to scribble all over it.
It's been a busy few weeks of festive activity with the Encounters Film Festival, whose final week starts today. As has often been the case in recent years I was privileged to host some of the animation Q&A sessions that have been rolled out over the course of the festival. You can give those a watch below should you be so inclined.
Renee also joins us for the latest episode of our Skwigly podcast Intimate Animation. Since beginning her animation studies at Harvard University, her films also include the Sundance Jury Award-winning Reneepoptosis (recently released online) and last year’s National Film and Television School mini-epic O Black Hole. Give it a listen below - or a download, whatever melts your butter.
Also discussed in this episode - more Encounters highlights including some of our Reflective Encounters focuses as well as the Animated Encounters Grand Prix winner Farce (dir. Robin Jensen), the Best of British Animation Award winner Eating in the Dark (Dir. Inari Sirola), Annah la Javanaise (dir. Fatimah Tobing Rony), Günter Falls In Love (dir. Josephine Lohoar Self), Love is Just a Death Away (dir. Bára Anna Stejskalová), Sweet Nothing (dir. Joana Fischer/Marie Kenov) and Granny’s Sexual Life (dir. Urška Djukić) plus recent work from Henriette Reitz, Christa Jarrold and Future Power Station.
In our latest episode of Animation One-To-Ones earlier in the month I also met Marie Valade, whose film Lolos (Boobs) is screening at part of the Encounters Late Lounge programme. Both equally poignant and witty, the film sees a young woman drawn in ink who is forced to deal with paper breasts that appear on her chest, leading her into increasingly unusual situations that reveal her deepest anxieties. We also discuss Marie's work as co-director of Festival Stop Motion Montreal, whose fifteenth edition just wrapped. You can watch the video above (don't forget to subscribe to our channel so as not to miss future episodes) or stream/download the audio podcast version.
If you're in a reading mood you might also want to check out my written interview with Ida Melum, whose NFTS grad film Night of the Living Dread is screening in both the animation and comedy programmes. The film - in which we follow the nighttime tribulations of Ruby, a young scientist whose attempts at sleep are obfuscated by an ever-relatable onslaught of embarrassing memories - brings Ida’s gift for storytelling, observational comedy and adventurous set pieces together with a full team of talented artists. She's definitely one to watch out for.
The Manchester Animation Festival has revealed its 2021 programme and with it the rather splendid news that Laura-Beth's latest film Crafty Witch (on which I made some noises and tickled some ivories) will be part of their MAFter Dark screening. This will take place in-venue at HOME 8:30pm on November 17th and online an hour later. The day before, festivalgoers can virtually join Steve and I for another edition of our rage-inducing Skwigly Quiz. That'll be at 9:30pm on the 16th so hope to see some of your lovely faces in those Zoom windows. Grab your passes from noon tomorrow!
You can catch Crafty Witch before then - this week, in fact - if you happen to be hanging out in Maribor, Slovenia where the 11th StopTrik International Film Festival is about to kick off. The film will be screening this Thursday at 3pm in the Big Hall at the Vetrinj Mansion as part of the festival's Panorama programme. Don't forget it's also part of the Encounters programme for the next couple days if you happen to have a pass for that.
The latest official selection announcement for Speed is the top-notch Sommets du Cinéma d'Animation over in Montreal, which takes place December 1st through to the 6th. Obviously it burns my ass to not be able to attend in person, especially given it's where a lot of my favourite people in the world live, but I was privileged to be a guest of the festival in a Skwigly capacity back in 2013 and had an absolute blast so it's wonderful to finally be involved as a filmmaker under any circumstances. Speed plays in the International Competition of Very Short Films on December 5th at 5pm among a stellar lineup. Check out their website and socials for full schedule and ticket info as it comes. Merci, mes amis!
In the meantime, this year's Manchester Animation Festival has officially kicked off and you'd be, if you'll pardon my language, a darn ninny if you missed out on it. Some personal recommendations include the Short Films Panorama including Laura-Beth Cowley's film The Gift, the MAFter Dark live watch-party featuring Speed, Marie-Ève Lacelle's ToonBoom Harmony masterclass plus a chance to catch the new Cartoon Saloon film Wolfwalkers as well as a Snowden-Fine retrospective and Q&A. Also this year's Skwigly Quiz is looking to be a fun one - alas it's sold out at this point but for those of you who managed to nab a ticket in time we've cooked up some fun stuff for our first online version so hopefully you'll get a kick out of it. There are still plenty of other events available so be sure to check out their full schedule and lineup here.
Fittingly enough it's a guest roster of heavy-hitters as we welcome back Tomm Moore and meet Ross Stewart of Cartoon Saloon, directors of the stunning new feature film Wolfwalkers that is released in cinemas from October 26th and will be available on Apple TV+
from December 11th. I was lucky enough to get snuck in to a screening of this one at the BFI London Film Festival a couple weeks back and it's absolutely gorgeous, so be sure to give it some love.
Also discussed in this episode: The evolution of digital film
festivals from our various perspectives as programmers, attendees and
filmmakers, upcoming highlights from Manchester Animation Festival and Cardiff Animation Festival, the arbitrary furore of Disney’s updated content warnings and the site-breaking popularity of Vivziepop – plus we read out messages from the Skwigly audience, having desperately solicited approval.
Producing and hosting this series alongside our various other podcast
strands (if you add them all up the full tally is 190 episodes) has
been an enormously gratifying ongoing project over the years, one that
has not only granted me time with some of my biggest personal
inspirations but also forged strong relationships with some of the
animation industry's most important organisations and events.
In an
ideal world it would go on forever but the inconvenient reality is that
the kind of free time I had available back when it started over eight
years ago just isn't there anymore, and as it's never been a source of
direct income it will have to proceed sporadically, if at all. In truth
that's already been the case this past year and nobody's complained, and
I have no desire to hang it up outright so I'm just going to roll with
the punches. Tentative plan is to have it be a seasonal thing but you
never know what circumstances will dictate, especially these days. In
the meantime if you have a few pennies you'd be happy to throw our way
you can support the site here. But if you don't we still like ya anyways.
Some wonderful news in that both Laura-Beth Cowley's The Gift and my latest film Speed will both be among the line-up at this year's digital edition of the Manchester Animation Festival. As regular readers will be aware this is an event we've had a particularly fond relationship with in multiple capacities since it began five years ago. Festivalgoers can catch The Gift as part of the Short Films Panorama from November 15th with Speed part of the notorious MAFter Dark programme that will stream 9pm on the 18th. While the traditional Skwigly-curated screenings won't be part of this year's edition we are still cooking up an online version of our notoriously hair-thinning Skwigly Quiz that will be held on the 17th at 9pm, so hopefully see you there!
Quick follow-up to my recent post on this year's Encounters Film Festival, my dual role as both participating filmmaker and event helper-elf has called for a bit of schedule reshuffling and my original interview session has been moved from today to next week, mainly as I'm now hosting today's and things would run the risk of getting too meta if I interview myself.
If you're scratching your heads, basically I'll be running the following panels for the animation selection:
23/09 - Animation 3: Short Shorts 1
25/09 - Animation 5: Eyes on the World 1
28/09 - Animation 6: Alumni 1
01/10 - Animation 9: Trailblazers 2
02/10 - Animation 10: Eyes on the World 2
05/10 - Animation 11: Brits and Pieces
07/10 - Animation 12: Short Shorts 3
All of these take place at noon and will be posted up the evenings of their initial live streams and available until the end of the festival. The other sessions will be hosted by Encounters' Animation Programmer Kieran Argo at the same time each day, so be sure to check 'em all out. Overall these will cover a far wider spectrum of participants than the live Q&As of past editions have been able to so that's a bit of silver lining as far as our current predicament goes. For those of you chomping at the bit to hear my pithy insights into the making of Speed, I believe I'll be part of the noon panel on the 30th (a week today). Tune in and give me a good grillin' why doncha?
Got a double-whammy of seasonally-seasoned Skwigly Animation Podcasts to help stave off the inevitable anxiety that comes from being around your kinfolk this time o' year.
In episode 95 we hear from Sergio Pablos, whose film Klaus has been the talk of the industry since it premiered on Netflix a few weeks ago. Rightly so, as it really does push the envelope as far as what we can do with 2D animation these days.
In episode 96 we welcome back Robin Shaw of Lupus Films. I first chatted with Robin way back in 2012 for his work on The Snowman and The Snowdogand the studio have been cranking out hits ever since, including We're Going On A Bear Hunt and Ethel and Ernest.
Also discussed in these episodes: MAF highlights, dubious dubbing, Playstation plagiarism, the inevitable shitness of Disney's 'live-action' remakes, animation-themed (sort of) honeymoons, as well as a look at the animated shorts in the running for 2020 Oscar
and BAFTA nominations, including work by previous Skwigly interviewees/pals Regina Pessoa, Theodore Ushev, Lauren Orme, Floor Adams, Ross Hogg, Bruno Collet and Naaman Azhari.
Give 'em a listen below or download for laters here (episode 95) and here (episode 96).
Remember how nearly I decade ago I made a film about Xmas? And how I didn't shut up about it for ages? Weren't those great times? Well, I'm bringin' 'em back with a cheeky look at how it came together. I know, I know, I shouldn't have, but sometimes the holiday spirit just oozes out of me uncontrollably. Enjoy!
Lastly it looks like Secrets of British Animation, the BBC4 documentary that occasionally features my big talking head in unnecessarily-full HD waffling on about the virtues of dirty cartoons, will be getting itself a repeat screening this Sunday at 10pm. Pencil it in!
Another wee trifecta of news bits for your waning weekend. Firstly I've learned that Sunscapades has itself another November screening coming up. Just before its outings at the Norfolk Film Festival and Magma - Mostra di Cinema Breve the film will return to Australia again as part of the same Late Night Bizarre programme it had been touring around in over the summer. This time around it will be at the Newcastle International Animation Festival. Again, this is in Australia, so all you Geordies out there can stand down. The event takes place on Saturday November 16th 10:30pm at UoNSOCI. Wish I could be there!
Earlier that week and on our own tumultuous, frothy shores, the fifth edition of the Manchester Animation Festival will take place. Having grown in ambition and scope exponentially each year since it kicked off, the 2019 edition looks to be another belter with three crammed days of animationey doings. Personal highlights include a masterclass with Michaël Dudok de Wit, a showcase from the Tricky Women team as well as behind-the-scenes looks at recent features Klaus and Shaun the Sheep: Farmageddon.
As with previous editions however you'd be a bit daft to miss the cheap-as-free (to passholders, cheap as a measly £6 to everyone else) Skwigly Screening that I've been beavering away on. This is a great opportunity to catch an hour's worth of amazing films you won't be able to catch elsewhere at the fest and as ever it's been an absolute joy to put together. The full line-up is as follows:
Getting Started (Dir. William Crook/Switzerland/2019)
Five Reasons Why I Don’t Trust Jellyfish (Dir. Shenja Tatschke/Germany/2019)
The Last Man on Earth Sat Alone in a Room (Dir. Junyi Xiao/USA/2019)
Five Minutes To Sea (Dir. Natalia Mirzoyan/Russia/2018)
#21XOXO (Dir. Imge Özbilge, Sine Özbilge/Belgium/2019)
Moist (Dir. Greg Doble/Canada/2019)
The screening will take place 5pm Wednesday November 13th at the Event Space in Manchester's HOME. As tradition dictates, right afterwards at 7pm Steve and I will be inflicting another notorious Skwigly Quiz on festivalgoers, so be sure to stick around for that and be in with a chance to scoff up some amazing animation trinkets and doodads.
On the subject of Skwigly, episode 94 of the seemingly-unending Skwigly Animation Podcast went up this past week. In this one we discuss the strong critical response to Farmageddon, the lukewarm critical response to The Addams Family remake, the growing fondness for Laika’s Missing Link, the fight for the South Park streaming rights, more MAF highlights, the British Animation Awards and Autour de Minuit's Rosto graphic novel campaign.
We also welcome special guest Alex Dowding, producer at Amsterdam-based production company Submarine whose projects include the recent Amazon Prime original series Undone, an international co-production with The Tornante Company and Minnow Mountain created by Raphael Bob-Waksberg and Kate Purdy. Prior to working at Submarine, Alex’s work in animation has spanned a
range of production management and supervisor roles across such projects
as Despicable Me, Despicable Me 2, Minions, The Tale of Despereux and The Lorax.
Direct download this episode here or stream below:
