Movin' right along...

Before I crack on with the latest round-up, I wanted to make a point of saying that the 30th edition of the Encounters Film Festival was absolutely fantastic. Much love to everyone who voiced their enjoyment of the selection; after a few years of animated shorts not getting their own dedicated strand, it means more than you know. All being well, we'll be back again next year for an even bigger and better edition.

As one festival ends, another is ramping up. It's looking to be another superb Manchester Animation Festival up North this November with a whole host of animationey goodness on offer. Chuffed to be presenting mine and Laura-Beth's book Intimate Animation (6pm 11th Nov, Manchester Central Library) as well as another all-new Skwigly Screening (7pm 12th Nov, HOME). Of course, Steve and I will be inflicting another edition of the Skwigly Quiz on festivalgoers right after (8:30pm 12th Nov, HOME). So get your diaries out and pencil 'em in.

Some nice news on the Intimate Animation front, in the October issue of the rather splendid BFI magazine Sight & Sound it has been selected as Editor's Choice by reviews editor Katie McCabe. I'm sure most of you reading likely already have a subscription, but just in case you can grab yourself a copy of the issue here. If you didn't make the Encounters presentation and missed getting your hands on a copy, the fine folks at the Arnolfini bookshop have held a few copies back at the same discount, so pay them a visit and grab it while you can. Failing that, the publisher currently has a site-wide sale, so if you buy it directly from them you'll get 20% off. Better than a kick in the pants.

If you're in the market for some inspirational podcast listenin', you'll want to check out the latest episode of Animation One-To-Ones featuring absolute legend and stalwart pal o' Skwigly, Joanna Quinn. We mainly discuss her work with the initiative AC4Pal (Animation Community for Palestine) in support of the efforts of Gaza-based educator Haneen Koraz, which recently culminated in the global anijam To Gaza with Love, which brought together 329 short films from over 50 countries. Joanna is always a joy to listen to, so give it a stream, watch or download; she also has a book of her own out now, so give that some love too while you're at it.

A bit of music to wrap up on - in anticipation of a 15th anniversary vinyl reissue of my 2010 album The Book of Women, and as a personal nod to the 40th anniversary of the Mario franchise, I'm putting out an extremely limited (20 copies - I'm a realist) run of the preceding, long-out-of-print 2008 EP Sibling Ribaldry, which will include the titular love-letter to Super Mario Bros. and three extra tracks from the album sessions not available on any other vinyl release. Give it a shufti here.

A'ight, that's all for now. Peace be with you.

About last year...

After some ruminatin', I think there might still be a few last gasps of life left in this here blog. Ahead of a big announcement coming up next week (that will probably explain why my energy for writing has been depleted of late), here's a roundup of some fun stuff I was involved with during the quiet spell that may be of interest.

Back in May Laura-Beth and I were at the always-wonderful Cardiff Animation Festival to host their brunch sessions and chat with attending filmmakers Tanya J Scott, Gerald Conn, Hannah Fisher, Naomi Crame, Lleucu Non, Josh Hicks, Tova Persson, Hoching Kwok, Gus Andrews, Qianhui Yu, Samantha Moore, Greg McLeod, Robert Brown, Katie King and Faye Craig. For those who weren't able to make it, these were recorded and put out as podcast minisodes, so brew some coffee, grab a croissant and have a listen. It'll be like you were there, boy-howdy.

Animation Podcasts | Skwigly · Skwigly at CAF 2024

Skipping ahead to November, Manchester Animation Festival was great shakes as ever. More of a flying visit this time but I did manage to cram in hosting duties for three events, including an all-new Skwigly Screening, the ever-bloodthirsty Skwigly Quiz and a special event wherein emerging talents from the Ukraine presented their animation projects in development. The event was part of a mentorship initiative brought about by Skwigly's collaboration with the Linoleum Festival and the UK/UA Animation Lab, which also yielded a series of free online lectures seeing industry professionals dispense invaluable advice. I was privileged to host one with producer extraordinaire Helen Brunsdon (below) and you can check out all six here.

To my delight, everyone's favourite stop-mo nightmare-weaver Robert Morgan (of Bobby Yeah and The Cat With Hands fame) had his first feature film Stopmotion released. A live-action/animation hybrid tale of an animator's relatable descent into madness, the film is hideous and horrible in all the best ways and definitely worth checking out. I was very happy to host a special CAF screening and discuss the film with the director himself, which you can check out below:

Robert and I discuss the film further in episode 113 of the Skwigly Animation Podcast, which is still ticking along. Other episodes we put out last year include a British Animation Awards special, a celebration of Cartoon Saloon's 25th anniversary and chats with the talents behind 2024's holiday features and specials.

On the guests front we've also featured Chris Sanders (The Wild Robot) with Nick Park making a welcome return alongside fellow Aardman-ites Merlin Crossingham and Ben Whitehead to chat all things Wallace & Gromit: Vengeance Most Fowl. In our Animation One-To-Ones strand, which has continued to be a fantastic vehicle for our contributors to get some facetime with the movers and shakers of the industry, I also caught up with industry stalwarts Torill Kove and Job, Joris & Marieke. Speaking of contributors, I would be remiss to not shout out the fantastic work being created for the site by our wonderful team including Ryan Gaur, Martyn Warren, Jordan King and Kévin Giraud. 

On the written features side of things, a couple pieces you might want to check out include chats with the fabulous NFB producer Maral Mohammadian as well as Zach Woods (creepy Gabe from the US version of The Office) and Brandon Gardner on their stop-motion NPR tribute sitcom In The Know. More recently I wrote a little summary of the late great David Lynch's own dabblings in animation over the years. Not an easy write as, being such a massive influence and all-around mensch, the news of his death rattled me. But ultimately it was a gratifying exercise and a rare excuse to lump together a bunch of factoids floating around my head that wouldn't necessarily have had much use otherwise.

Throughout the year Skwigly, Rumpus and Sun & Moon also continued our Bristol Animation Meetups (BAM), with four hugely successful seasonal events that included our established industry one-on-one sessions in the Spring and Autumn, a big chunky BAM quiz in the Summer and a seasonal collab event with AnimInspo to cap off the year. We have some fun irons in the fire on the BAM front, so keep your eyes on our socials to not miss out.

As to why I didn't bring any of this up at the time, well...here's the culprit.

Her name is Ivy. She saps all of the time I used to have for blogging because she's so adorable and her demands are both constant and merciless. Kind of lowkey ruined our life at the beginning, but hey, at a certain point you come around and fall in love. Dogs, what are they like? 

So I think you're about caught up now. Stick around, more news a-comin'.

December Shmecshmemshber

We've got one last Skwigly Animation Podcast of 2023 before we tap out for the year. In episode 112 we welcome back director Sam Fell alongside producer Leyla Hobart to discuss their much-anticipated Aardman sequel Chicken Run: Dawn of the Nugget (out now on Netflix). We also welcome back director Robin Shaw and producer Ruth Fielding of Lupus Films to hear about their seasonal adaptation Mog’s Christmas, broadcast on Channel 4 this Xmas Eve.

Also discussed: Feature and short film picks for awards season, technological misadventures at MAF and the enduring legacy of last year’s holiday ‘classic’ The Boy, The Mole, The Fox and The Horse. While you're queuing up podcasts for that long, anxious drive back to the homestead, be sure to check out episode 11 of Independent Animation featuring Mel Cionco in conversation with Jasmine Yang of viral hitmakers Glitch Productions and episode 27 of Animation One-To-Ones, where Ryan Gaur speaks with ND Stevenson to learn about the protracted, animated feature adaptation of his graphic novel Nimona. If you're in more of a readin' mood then a listenin' mood, some recent articles to check out include Ryan's interview with Aardman's Suzy Fagan Parr, Martyn Warren's review of Hilda season 3, as well as Larry Fried's review of The Peasants and interview with co-director Hugh Welchman.

Chuck Steel: Night of the Trampires, the stop-mo gore-fest on which I animated some retro VFX a while back, is currently available to watch for free over the holiday period. Those of you who have Amazon's Freevee, be sure to gather the kids and grandparents around the ol' tellybox and get 'em nice and traumatised.

Many thanks to all the wonderful folks of the local animation community for coming out to the final Bristol Animation Meetup (BAM) of 2023 last week!

Extra special gratitude to King Street Brew House for having us, our pals at Animation Associates and Toon Boom Animation for the abundance of free drinks and incredible main raffle prize of an annual Toon Boom Harmony license (congrats to winner Elise as well as runner-up winners Olivia, Anna and Mayzey) - not to mention the fantastic Aardman Animations for the bonus prizes, Tova for her hard work keeping everything running organised and on time as well as Luzie for being on hand to take some fabulous photos.

Of course an extra special thanks to our incomparable industry guests Suzy Fagan Parr (Aardman), Jess Brazier (A Productions), Harry Slinger-Thompson (Scribble Room), Erinn Lucas (Sun & Moon) and Joe Wood (Rumpus) for taking their time to offer their insights and advice to eventgoers.We've got some exciting plans for 2024 so be sure to keep your eyes on Skwigly, Rumpus and Sun & Moon for updates and future event info!

June Shmune

A solid half-decade after it originally made its festival debut, I've finally put my fifth animated short Sunscapades online. It's a film I was initially quite proud of insofar as it came out exactly as I pictured it in my head, which is a rare thing indeed, but I grew a little conflicted about it for a few reasons I won't bore you with here. It had a nice chunky festival run either way, with stops including the BFI London Film Festival, LIAF, Encounters, LSFF, Just For Laughs, Sydney Film Festival, MIAF, Cardiff Animation Nights (twice! What a lovely bunch), Anima Brussels and a whole lot more. It was also an opportunity to work with the wonderful Weird Eye Collective talents Laura-Beth Cowley (producer and voice of Lily and Milly), Fiona Viani-Pericchi (voice of Billy) and Hannah Stevens (background paintings) and boasts some fantastic painterly contributions from Carwyn David, plus some spooky music courtesy of Phil Brookes. So give it a watch and let some sunshine into your lives:

Tomorrow night (June 22nd) I'm putting on another Bristol Animation Meetup (BAM) with my pals from Rumpus Animation and Sun & Moon Studios. This time we're congregating at the King Street Brew House from 7pm and I'll be shamelessly using the opportunity to have a quasi-launch of the new book.

You can have yourselves a merry little thumb-through and if you conclude it's a book you need in your life (as any rational person would) then I'm offering a special BAM-exclusive, mates-rates discount. As with every edition of BAM, all animation professionals, students, enthusiasts, fans and hobbyists from Bristol and the surrounding area – really anyone who fancies making the trek - are welcome.

Back to the book, check out the video above for a cheeky peek at what it looks like in hardback. Then spit coffee at your screen when you see how much the bloody thing costs. Ah well, some things just aren't in my control.

Things are busy as ever in the land o' Skwigly, so be sure to swing by and get caught up. On top of some great coverage from the team on indie hit Lackadaisy, Estonian masterpiece Old Man Cartoon Movie: Lactopalypse!, Star Wars Visions: Season 2, Spider-Man: Across the Spider-Verse, and Genndy Tartakovsky's new project Fixed, in the lead-up to the summer I've put out a trifecta of National Film Board of Canada coverage, looking at new work from Thao Lam and Kjell Boersma (Boat People) and the welcome return of previous Skwigly interviewees Janet Perlman (The Girl with the Red Beret) and Janice Nadeau (Harvey). Some other fun stuff coming up, so keep 'em peeled and be sure to follow us on our Twitter, Insta, Facebook and YouTube so you have a better chance not letting that pesky algorithm hide our goodness from you.

Okay, that's enough. Now be off with you.

January Shmanuary

It’s been probably the longest stretch of radio silence on here since I started the strange, protracted, attention-seeking endeavour that is this blog. Personal circumstances innit. Anyways, here’s some stuff that’s happened in the interim.

Laura-Beth and I wrapped up the fourth season of Intimate Animation with a special live edition recorded at Manchester Animation Festival (which was a blast) back in November. We’re joined by director Phil Wall and producer Chloe Beale of Strange Acre Studios, discussing their recently-completed BFI-funded short film Woodland, as well as Julia Wiza to talk about her Nottingham Trent University thesis film Bogdanka. Much gratitude to everyone who came, as well as the MAF and HOME team for getting everything set up.

The last Skwigly Animation Podcast of 2022 features a chat between myself and - holy shit - Guillermo del Toro, joined by Pinocchio co-director Mark Gustafson. Not too fucking shabby, eh?

If that hasn’t gotten you dazed and confused, another chap possibly more well-known as a live-action director that I got to speak to recently is Richard Linklater, chatting about his recent feature Apollo 10½: A Space Age Childhood alongside his longtime animation collaborator (A Scanner Darkly, Waking Life) Tommy Pallotta. 

CAF on Tour, featuring Laura-Beth Cowley’s Crafty Witch, is still making its way across the wonderful land o’ Wales. A couple dates for your calendars this month:

• Canolfan S4C Yr Egin, 7pm Tues 24th January
• Pontardawe Arts Centre, 6pm Sat 28th January

Well that’s it for now. As you were.
 

Accentuatin' the positive

A couple new podcasts for ya, both a bit different from the kind of stuff we usually do but definitely worth a listen. In the latest episode of Animation One-To-Ones I'm joined by Cardiff-based animator Lauren Orme, who previously appeared on episodes 80 and 93 of the Skwigly Animation Podcast. In this latest episode we talk about the ways in which she has steered both Cardiff Animation Festival and her animation studio Picl in a more eco-conscious direction while also actively researching practical and practicable solutions for combating the increasingly concerning realities of climate change.

The latest endeavour of Lauren’s is the newly-launched Planet Positive Animation Network to help animation, VFX and games companies and freelancers become environmentally sustainable and help us reach net zero sooner. You can watch the interview above or stream below (or download here).

While the new network will be hosted digitally, CAF has plans to run events enabling members to meet and share ideas in person. CAF is also sharing resources on their website, and is offering a consultancy service for animation companies who want a little more help reaching net zero or becoming environmentally sustainable. 

We've also popped up the first of a four-part series of special podcast minisodes for the I'M FINE! project we've been presenting with the Linoleum Contemporary Animation and Media Art Festival. Taken from the Q&A panel sessions that accompany the screening programme, these feature artists sharing their experiences and insights into mental health, burnout and staying motivated as animation filmmakers. In episode 1 we hear from Will Anderson (The Making of Longbird), Anna Mantzaris (Enough) and Margarida Madeira (Playing Death). Stream down there or download right here.

I’M FINE! will be available on the MEGOGO media service during the LINOLEUM festival, which will be held online from 7 to 11 September.  Follow the news of the project on Skwigly, at linoleumfest.com, on the festival’s Instagram profile or at the I’M FINE! Facebook event page.

Ben up in everyone's business

It's been a busy few weeks of festive activity with the Encounters Film Festival, whose final week starts today. As has often been the case in recent years I was privileged to host some of the animation Q&A sessions that have been rolled out over the course of the festival. You can give those a watch below should you be so inclined.

Accompanying the presentation of the official selection this year is Reflective Encounters, a series of critical mini-write-ups of the shorts in competition by a variety of journalists and writers including Laura-Beth and myself. If you want to learn more about the films you can have a read of Laura's writings on Joanna Quinn's Affairs of the Art, Michelle and Uri Kranot's The Hangman at Home, Bastien Dubois's Souvenir Souvenir, Mathilde Parquet's Trona Pinnacles, Dina Velikovskaya's Ties, Daniel Gray's HIDE, Ann Thiel's Shtum, Petra Steptic and Maren Wiese's Jeijay, Yuan Elizabeth Xu's Breaking Bread, Noam Paul's The Quest for Freedom and the Longing for Belonging, Martin McNally's Excerpt, Michael Salkeld's Abstraction and Coffin from Gobelins. Meanwhile I take a look at Marine Blin's What Resonates in Silence, Tomek Ducki's Plantarium, Katarzyna Agopsowicz's Prince in a Pastry Shop, Chenghua Yang's Self Scratch, Paul Mas's Precious, Cliona Noonan's Wet and Soppy, Marie Lechevallier's Knot, Claude Cloutier's Bad Seeds, Przemyslaw Swida's Co-Ognition, Yi-Han Jhao's The Frolic and Renee Zhan's Soft Animals. 

Renee also joins us for the latest episode of our Skwigly podcast Intimate Animation. Since beginning her animation studies at Harvard University, her films also include the Sundance Jury Award-winning Reneepoptosis (recently released online) and last year’s National Film and Television School mini-epic O Black Hole. Give it a listen below - or a download, whatever melts your butter.

Also discussed in this episode - more Encounters highlights including some of our Reflective Encounters focuses as well as the Animated Encounters Grand Prix winner Farce (dir. Robin Jensen), the Best of British Animation Award winner Eating in the Dark (Dir. Inari Sirola), Annah la Javanaise (dir. Fatimah Tobing Rony), Günter Falls In Love (dir. Josephine Lohoar Self), Love is Just a Death Away (dir. Bára Anna Stejskalová), Sweet Nothing (dir. Joana Fischer/Marie Kenov) and Granny’s Sexual Life (dir. Urška Djukić) plus recent work from Henriette Reitz, Christa Jarrold and Future Power Station.

In our latest episode of Animation One-To-Ones earlier in the month I also met Marie Valade, whose film Lolos (Boobs) is screening at part of the Encounters Late Lounge programme. Both equally poignant and witty, the film sees a young woman drawn in ink who is forced to deal with paper breasts that appear on her chest, leading her into increasingly unusual situations that reveal her deepest anxieties. We also discuss Marie's work as co-director of Festival Stop Motion Montreal, whose fifteenth edition just wrapped. You can watch the video above (don't forget to subscribe to our channel so as not to miss future episodes) or stream/download the audio podcast version.

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If you're in a reading mood you might also want to check out my written interview with Ida Melum, whose NFTS grad film Night of the Living Dread is screening in both the animation and comedy programmes. The film - in which we follow the nighttime tribulations of Ruby, a young scientist whose attempts at sleep are obfuscated by an ever-relatable onslaught of embarrassing memories - brings Ida’s gift for storytelling, observational comedy and adventurous set pieces together with a full team of talented artists. She's definitely one to watch out for.

The Manchester Animation Festival has revealed its 2021 programme and with it the rather splendid news that Laura-Beth's latest film Crafty Witch (on which I made some noises and tickled some ivories) will be part of their MAFter Dark screening. This will take place in-venue at HOME 8:30pm on November 17th and online an hour later. The day before, festivalgoers can virtually join Steve and I for another edition of our rage-inducing Skwigly Quiz. That'll be at 9:30pm on the 16th so hope to see some of your lovely faces in those Zoom windows. Grab your passes from noon tomorrow!

You can catch Crafty Witch before then - this week, in fact - if you happen to be hanging out in Maribor, Slovenia where the 11th StopTrik International Film Festival is about to kick off. The film will be screening this Thursday at 3pm in the Big Hall at the Vetrinj Mansion as part of the festival's Panorama programme. Don't forget it's also part of the Encounters programme for the next couple days if you happen to have a pass for that.

Look, I went full circle; I'm smooth like that.

Update (nah, that isn't satisfying)

Hi there folks, it's been a minute. In fact I don't think I've ever gone over a month without finding some excuse to talk about myself on here. So, y'know, time to overcompensate. 

Over in Skwiglyville we have ourselves a new, (mostly) Annecy-focused episode of the Skwigly Animation Podcast featuring animation royalty Joanna Quinn. Joanna's been one of our biggest supporters in every respect since the earliest days of Skwigly and we've been eagerly waiting for an excuse to bring her on the podcast (although she has appeared previously on a podcast minisode from back in the days of BAF) since before it even started, so what better than to discuss hers and Les Mills's long-gestating new Beryl film Affairs of the Art? On top of receiving the Special Jury Distinction for Direction at Annecy the film, co-produced by the NFB, has won awards at Clermont Ferrand, Animafest Zagreb and Kaboom among others and is easily one of the most technically stunning films doing the rounds this year. Download link here or stream it below:

Also discussed in this episode are Annecy shorts highlights, Mikey Please and Dan Ojari's upcoming Aardman/Netflix special Robin Robin, Erick Oh‘s immersive short Namoo, Marq Evans’s Will Vinton documentary ClayDream, Alberto Vázquez‘s Unicorn Wars, Jorge Gutierrez’s Maya and the Three, Netflix’s adult animation slate including the stop-motion anthology series The House and the announcement of Robert Morgan's feature film debut Stopmotion.

Our new interview series Animation One-To-Ones is coming along nicely with our latest episode welcoming back the uniquely wonderful Anna Ginsburg, who previously appeared on Intimate Animation to discuss her film Private Parts. Since then she has done some brilliant work including What Is Beauty? for CNN, A Love Hate Relationship for Breast Cancer Now (which recently screened as part of Annecy's Commissioned Films programme) and Typically for Bloody Good Period alongside fellow Intimate Animation alum Caitlin McCarthy. You can download the podcast here or watch below:

We have a whole bunch more of these planned for the foreseeable, so to be sure that you don't miss any you might want to go ahead and subscribe to our YouTube channel.

We also have the tenth and, for the time being, final episode of Visible in Visuals up on the site, in which organisers Tanya Scott and Hodan Abdi discuss what progress has been made and what still needs to be done with a panel of contributors - Bimpe Alliu, Mohamed Orekan and Paula Poveda-Urrutia - who were instrumental in getting the series off the ground. Download forevs or stream to your heart's content:

It's been a real privilege to have been able to give this series a podcast platform through Skwigly and if you've not yet listened I strongly urge you do so. Fingers crossed that it will continue in some form once they've had a regroup as there are many more discussions that I'm sure need to be had.

If you're in more of a readin' mood than a listenin' mood then prepare to be effervescent with excitement that my book Independent Animation: Developing, Producing and Distributing Your Animated Films is available at 20% off until August 1st as part of the Routledge/CRC mid-year sale. Another CRC book worth checking out is Andrijana Ružić's Michael Dudok de Wit: A Life in Animation, a thoroughly-researched overview of the director's filmography and working process that I enjoyed a great deal (you can read my full review here). There are also a couple of recent interviews you might want to check out, including my catch-ups with Claude Cloutier (Bad Seeds) and Michelle Kranot (The Hangman at Home/We Are at Home), who have both made stunning new work worth keeping your eyes open for.

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Since my last post I actually clocked that the end of April marked ten years of my involvement with Skwigly, beginning with my first book review of Bill Plympton's autobiography, followed shortly after by an interview with the man himself. I hadn't planned on doing more for the site (much less one day taking it over) and, given how crucial discovering his work had been to my switch of career direction from graphics to animation and films, meeting Bill felt at the time like everything coming full circle. But, as is often the case in life, it turned out to be the beginning of something far grander. The current team would eventually take it over a couple years later and I'm hugely proud of what we've grown it into and the wealth of relationships that have branched out from it. I posted up a bunch of memories that stood out over on my Instagram including crossing paths with other inspirational figures Joanna Quinn, Signe Baumane, Peter Lord, Billy West, Rosto, Richard Williams, Tomm Moore and some previously unseen footage of chats with Adam Elliot (another crucial artist who helped shape my career direction) and a then up-and-coming Rebecca Sugar, not to mention the ongoing relationships with organisations such as the NFB and Cardiff Animation Festival and some unexpected excuses to sit down with folks outside of the animation sphere like Kaada, Charlie Kaufman and Caroline Thompson.

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The fact of the matter is that's just the tip of the iceberg and there are a ton of other wonderful memories I didn't have time to post up, such as organising an interview and fan Q&A with legendary Jan Švankmajer; speaking with inspirational talents Bob Jaques, Stephen DeStefano and Jim Gomez for a Ren & Stimpy special; literally hundreds of chats with artists whose work I love (see the big ol' list under Skwigly Interviews on the right there); getting to bring on my amazing friends who've been smashing it like Jo, Jane, Lauren, David, Phil, Mary and Matt; driving folks nuts with Steve's MAF quizzes; interviews conducted in lightning storms; bringing my dad on the podcast to chat about his work on Yellow Submarine; curating programmes for Encounters, BAF, MAF, CAN and CineMe; working with other festivals including Animafest Zagreb, ITFS Stuttgart, DAFF and Anima; appearing on TV to talk about dirty cartoons with Steve; teaching the world to sing in Brussels; teaching the world to sing in Manchester; even being stranded in Geneva waiting for a bus to Annecy after my flight from Bristol was delayed by 4+ hours has, by virtue of the folks I met along the way, become a fond memory...just about.

It isn't all roses though and unfortunately doing this kind of work means you occasionally encounter the odd nutjob or angry little raging bellend. And sometimes someone you admire when you first meet/interview them turns out to be, well, not so admirable. While those stories do make for better anecdotes, I'll save them for me memoirs. What is clear is that those instances are completely eclipsed by the comparative wealth of joyful moments and that's an important thing to hold onto. 

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More important than anything else is that it was through running Skwigly that I met my favourite lady person Laura-Beth when she came on board as a contributor and eventually our main Features Writer. I'd never have suspected that indulging what started as a hobby for niche animation journalism would have brought somebody so wonderful into my life and she continues to surprise, impress and inspire me every day.

Fun fact: our marriage was such a legendary event within the animation world that acclaimed director Wes Anderson included a replica of our wedding venue in his stop-motion adaptation of Fantastic Mr. Fox...nine years previously.

Now go follow her Insta if you haven't yet because it's much more interesting than mine.