LIAR.
Fuck that nizzoise. I'm sad and now you have to be too. Whaddaya think of them apples?
I found out recently that one of my heroes John Callahan has died. It fucking stinks. He was probably one of the more significant influences on me as a kid, shaping me into the cuddly sociopath I am today.
Thinking back almost as far as I have memories stored, I recall sneaking glances at his cartoon anthologies lying around the house. Words couldn't describe the glee I felt at seeing the distinctly adult subject matter married with childishly-scrawled cartoons. Obviously in today's post-Adult Swim era the concept is well-established, almost to the point of being hackneyed. But back then it stood out from anything else.
While plenty of syndicated comic strips embraced the notion of catering to adults - the poignant philosophy in 'Calvin and Hobbes', the bitter disillusionment that riddled 'Life In Hell', the joyfully dark surrealism of 'The Far Side' - Callahan's nameless strips floated in a limbo outside convention, limiting his exposure no doubt but with the welcome absence of boundaries as a trade-off.
At perhaps too young an age, his work introduced me to a world of adulthood I couldn't wait to be a part of. One particular short story he wrote was my first encounter with the concept of cunnilingus, something that never would've crossed my mind at that age (I think I was about seven), but man alive did it seem like a tremendous way to pass the time.
What differentiated his crass and sexual humour from the likes of, say, 'Viz', was a level of legitimate wit and non-contrived cleverness that would rear its head. Occasionally the amateurish visuals would unintentionally imbue an otherwise average panel with an amusingly childlike silliness, and in instances where the drawings were almost unintelligible the writing could make it hysterical.
The quality of the drawing style was attributed to the very reason his gallows humour was so well-earned. In his early twenties he was permanently paralysed from a drunken car wreck. The frustrations and protracted anxiety of adapting to life without movement were candidly told in his autobiography "Don't Worry, He Won't Get Far on Foot", a genuinely inspiring read that I can't recommend enough.
Along with a follow-up book, a couple of not-too-terrible animated shows and a laudable stab at music, his true legacy can be found in the anthologies of his work. If you can track them down, treat yourself.
RIP.
It's a beautiful, sunny day in Montreal, the best city in the world. Yet here I am, alone in a friend's apartment, blogging on her laptop with the curtains drawn. I disgust myself.
"The Naughty List" is finished! As it's the end of June, pretty much the equidistant point between holiday seasons, naturally it's the perfect time to unveil a xmas-themed short...what an ass I am.
Eh? Eh? What a blagging little shitbag I am. I guess they didn't buy it 'cause no cizzash was ponied up, so I'm doubly proud that I persevered with it and was able to follow through. Plus the trade-off with the smaller amount of private funding I was able to secure for it was that I could stick to my original idea and not have it diluted or tinkered with. I'm still at a point in life where I'm kind of precious about that stuff. Give me another year in this industry and I'll no doubt have abandoned such trivial concerns as integrity and self-worth. Until then, here are some stills to prove I'm not making the whole thing up:
I wanted these to be quite loose and playful (adorable li'l scamp that I am). Beginning with sketches, I overlaid colours and textures for each background element, using 
Against these backgrounds the character animation comes off as a little too stark. I've decided to soften the look by colouring in the black outlines and applying lighting and gradients to the flat colours. This really goes a long way toward selling that the characters are inhabitants of the environment I've created.
As my version of 
