Here are some more indeterminable creatures following on from
last week's, using a significantly different colouring process. This relies heavily on public domain watercolour textures that I've been playing about with since slapping together the
"Book of Women" album artwork. I don't really have any planned projects that involve them (their main purpose is to add more contemporary content to my portfolio) but I could see them as part of something targeted toward younger audiences. I'm pretty pleased with how they came out and how not-my-usual-style they seem so I might just sell the images as a series of prints.
Here's a sped-up vid that more or less shows the process, taking one of the uglier initial sketches and making it look sort of passable through textures and relief shadows. Actually kind of an effective cure for a hungover Sunday afternoon.
Speaking of Christmas-themed animation, which I absolutely wasn't, the second edition of the Cagliari-based
Skepto International Film Festival will be screening
"The Naughty List" on
April 9th. As with
Salento Finibus Terrae, it's an Italian fest which also screened a short of mine the previous year (
"Ground Running" in this instance) which fills me with fuzzy warm validation and seasonal cheer.
Here's a sped-up vid that more or less shows the process, taking one of the uglier initial sketches and making it look sort of passable through textures and relief shadows. Actually kind of an effective cure for a hungover Sunday afternoon.Speaking of Christmas-themed animation, which I absolutely wasn't, the second edition of the Cagliari-based Skepto International Film Festival will be screening "The Naughty List" on April 9th. As with Salento Finibus Terrae, it's an Italian fest which also screened a short of mine the previous year ("Ground Running" in this instance) which fills me with fuzzy warm validation and seasonal cheer.
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