Showing posts with label awards. Show all posts
Showing posts with label awards. Show all posts

Tuesday, 2 October 2018

Premature Adulation

http://www.fanofilmfestival.it/?lang=en
The next outing for Sunscapades will serve as the film's Italian premiere at the Fano International Film Festival! This is one is fairly unique as it has announced its award winners and special mentions before the actual screenings have taken place. Can't say that's a practice I've ever encountered over this past decade of festival submissions but I shan't rock the boat as Sunscapades is among the films to get itself a Special Jury Mention! Not too shabby.
The screening itself will take place on Wednesday October 17th (landing slap-bang between its two screenings at the BFI London Film Festival) starting 9:15pm at the Cinema Malatesta in Fano alongside two recent favourites of mine, Britt Raes's Catherine and Rory Byrne's An Island.
https://www.sodakmotionfestival.com
Later this month the film is part of the 2018 SoDak Motion Festival's official selection, alongside such sterling work as Animade's Tend, Evan DeRushie's Birdlime and David Chai's Space Butthole. Actually I haven't seen the latter, I just found myself moved by the poetry of its title. Although I don't have exact specifics on times, the screenings will take place October 25th in Brookings SD at the South Dakota Art Museum and on October 27th in Sioux Falls, SD at the Washington Pavilion's Belbas Theatre. This festival also included Klementhro a couple years' back so they're a grand bunch in my book.
That's all for tonight but fret ye not, you fretty little fretting fretters, there'll be more news a-comin' soon.

Tuesday, 15 May 2018

Rising Sun

Came home to some rather lovely news that Sunscapades just won itself the Best Animation award at the Fylde Film Festival! It's been a slow start for this one as far as getting it out there so this is a really encouraging start and hopefully I'll be able to share news about upcoming screenings in the near future.
This also marks the official world premiere of the film, the first time an animated short of mine has ever actually debuted in the UK, so it's very reassuring to hear it went down well. Once again many thanks to the brilliant talents who helped it get done - Laura-Beth, Hannah, Fiona, Phil and Carwyn in particular - and to the festival team for taking a punt on it. After a bit of a grumpy weekend y'all perked me up some.

Thursday, 8 March 2018

Women, they're absolutely everywhere

https://www.facebook.com/lendas.animadas
I just received some good news regarding Lendas Animadas, the Brazilian pre-school series I worked on a little while ago - one of the episodes I animated just picked up the Audience Award for Best Children's Short at the FESTin Portuguese Film Festival in Lisbon. Turns out the kids are alright.
On top of this the series is also a finalist for the 28th Prix Jeunesse International festival and competition which will take place in Munich from May 25th-30th.
Congrats and kudos to the team, most of all to Art Director Adriana Meirelles who was my immediate supervisor on the series and did an amazing job in keeping me on track, especially considering I don't speak any Portuguese.
Speaking of amazing women in animation, if you head on over to Skwigly's Twitter feed I've been corralling some coverage from the past year in honour of International Women's Day. There are some fantastic articles and insights - not to mention films - worth checking out there if you missed them the first time around.
While we're on the subject here's a rundown of the industry's inspiring female talents I've had the pleasure of personally interviewing since my days at the magazine began:

To be perfectly honest it should be a longer list, though I have some personal goals toward the gender parity of our coverage in the years to come that should hopefully amend that.
As for the present, the latest addition to our interviews section is the splendid Julie Roy who I had the pleasure of interviewing at last year's Annecy festival. This week saw her win her second Canadian Screen Award as a National Film Board of Canada producer (her main role is Executive Producer of the NFB's French Animation Studio). The winning film, directed by Matthew Rankin (an interview with whom went up a few months' back), is The Tesla World Light, which documents a troubled period of the renowned inventor Nikola Tesla’s life through a combination of exquisitely performed pixilation and experimental filmmaking techniques. Julie's producer filmography also includes some absolute crackers such as Paula (Dir. Dominic Étienne Simard), Kali, the Little Vampire (Dir. Regina Pessoa), In Deep Waters (Dir. Sarah van den Boom), Pilots on the Way Home (Dir. Priit and Olga Pärn), Inspector Street (Dir. Emmanuelle Loslier) and The Head Vanishes (Dir. Franck Dion) among others, so it was a real privilege to get to learn about her career path and process, as well as some insight into how the NFB approach the marketing and distribution of their films once they're done.
One last thing that, again, involves some super brilliant animation ladies, chiefly Lauren Orme, Dani Abram et al who have been working like mad on the first edition of the revived Cardiff Animation Festival. Having curated and hosted the animation strand of the Cardiff Independent Film Festival for a few years, as well as the city's regular meet-up Cardiff Animation Nights, the team have outdone themselves with an amazingly high-quality inaugural official selection for this year's event. I'll be involved in the festival in various capacities that I'll elaborate on when they've all been cemented but until then be sure to to get your hands on festival passes so you won't miss a thing.
That's it for today, I'll leave you with this new piece by Anna Ginsburg that I had nothing to do with but absolutely love:

Tuesday, 2 November 2010

'Maikos, Mallets & Mo's...

Some early seasonal cheer to go with the premature decorations and mince pies already on sale, plus I suspect that the rest of the world is a veritable cauldron of misery. "The Naughty List" won Best Animation at the Thermaikos Film Festival over the weekend. Hollyness and jollyness!
Of course, if you actively dislike me and the notion of anything I do being well-received bugs you, then I appreciate that might not be the cheeriest news. But then, why would you be reading this? That's just creepy and stalkerish, dude. Knock it off.
Anyway, hugs and kisses to the Thermaikos fellas and everyone who attended and showed some love. I shall be gorging on μεζές in celebration!With bizarrely fortuitous timing I learned via Twitter that the film has also been included as part of the Shepton Mallet Digital Arts Festival, a comparatively local event showcasing digital work (animation, filmmaking, photography and so on) by South Westerners like my doughy self. This is fabtastulous and it means the film will be viewable in its entirety during the course of the festival, so pass it around while you can. My only concern is that, in justifying why it fit the festival criteria, this is what I wrote:
While the film is primarily presented as a comedic, narrative piece, its main theme is the subversion of a known cultural icon, reconfiguring our former notions of it and presenting it in a setting analogous to the stresses and influences of contemporary culture. This redefines and expands its audience and appeal, working hopefully on a visual level for a young audience and a satirical level for an adult audience. The film's simple premise aims to bring a new relevance and familiarity to a long-established holiday institution.
Now, while that's all true, it was late when I worded it and my brain was in pretension overdrive. I completely understand any impulse you might feel to want to punch the smug face of whoever would write such self-aggrandising drivel. Even I want to backhand him, and he's me. Hopefully, juxtaposed against the film itself, people will see some humour in it.
All told it's great exposure, so cheers again, pixelly-sheep-thing! Check it out here.On a closing note, I have made the supreme sacrifice and shaved off my facial hair, which I desperately need to maintain the illusion that my head isn't shaped like an overcooked gnocchi dumpling. This is in preparation for a month of moustache growth, as I'm taking part in this year's Movember to spread awareness for men's health issues. Predominantly prostate cancer, a pernicious fellow that's hit my own family and is probably waiting in the wings for me down the line. If you have the inclination please donate, even if it's just a couple of quid it'll help. Plus you'll be rewarded with the knowledge that for the next month I'll look like a right tit.Well, y'know, more so.

Sunday, 15 November 2009

Dullardgate

Just found out 'House Guest' was a runner-up in a 4mations competition I don't remember entering. This was announced a few weeks back now, I guess I didn't get any notification because, well, it didn't win. But pretty cool that it got a look-see.
I was fairly certain I actually had an account on 4mations, but finding that there was no way to log-in anymore initially had me assume that I'm now being rejected by skull-flying kittens. A little further investigation led me to this article, explaining that the website was initially shut down a couple months after it began (I guess it was one of many sites I set up an account with and then barely ever returned to) around the time of the Sachsgate nonsense. Essentially it came down to people being offended by sex and drug-related imagery on a website that was always meant to incorporate adult content.
There's nothing gained in pissing and moaning about an incident that occurred over a year ago, but Christ almighty, get a fucking grip.
Anyway, 4mations has now become an animation blog with lots of quite interesting (albeit filtered) shorts and suchlike.
Here's some adorable, inoffensive cartoon nudity from 'A Cautionary Tale' to go out on:

Monday, 29 June 2009

I Can't Swallow

'House Guest' picked up an animation prize at the Formula Mundi festival over the weekend. Good news, and I'd be celebrating if I weren't ridden with swollen throat glands and a spasmodic trachea that's sullying my mood some. Sometimes I admire life's sense of humour when it comes to timing. Will post a more enthusiastic entry if I've convalesced by its arrival.

Friday, 5 June 2009

Something for the ol' CV...

I was very stoked to find that 'House Guest' has managed to pick up a 'Best Animation' award at one of the recent festivals, ScreenTest.
Bizarrely, though, said festival took place in March and they only just recently got in touch to tell me.
Even more bizarrely, I wasn't even told that the film got in at all, so I wasn't there for the screening or the ceremony. Ordinarily, time and money mean I can't go to each festival with 'House Guest' on its official selection list, but in this case it's a real shame as it was a Bristol-based festival and, as such, within walking distance of my apartment.
Anyway, it's probably for the best as, had I been in attendance at the award ceremony and gone up to receive it, I would have given the most inappropriate, protracted, Gwyneth Paltrow-esque acceptance speech and made everybody want to commit seppuku.
Irregardless (which, apparently, is a real word), I'm very proud and happy that it went down well. Now I have several choices in front of me - do I change my first name to 'Award-Winning Animator Ben', or my last name to 'Mitchell, Award-Winning Animator'?
Or I could change my first name to 'Smug' and my last to 'Douchebag'. That was my mother's personal favourite.