I'm gradually working through my issues with faces, using a less-is-more approach with women especially. I've also been taking some cues from the class organiser and attempting some more abstract approaches. These are from a few body-in-motion exercises, having the model's movements inform the curvature of the line work. They came out sort of caricature-ish, not the kind of thing I'd usually come up with so it was quite interesting in that respect:
Here are some more with a male model, creating shapes using the joint positioning and weight distribution as a springboard:
While the scanner's on and the sketchbook's open, I may as well bung up a few more scribblings from going out with the Bristol Sketchers. Some standard stuff:
And some sketches from a recent Arnolfini exhibition to end on:
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