My aging - yet vexingly alluring - body has been ravaged by a series of ailments, each more pathetic and old-man-like than the last. Right now I've been embarrassingly felled by some kind of wrenched abdominal muscle. Thankfully it's not a hernia, as it turns out I'm just a little pissy-sissy fairy-mary girlie-girl (my GP's exact terminology there). The upside is the revelation that I actually possess abdominal muscles - I guess they've just been well hidden all these years.
In short, I'm staying pretty immobile and popping Solpadol like Skittles. Before my insides collapsed completely I was able to get in a life drawing session on Monday, the first in a while. I haven't had as many opportunities to make it over there much over that past few months but here are a few stabs at it since
last October.
Pregnant gal is, shall we say, 'augmented' in the chest region which carries with it the slight danger of the breasts coming off unnaturally spherical when drawn. I found one I hadn't put up before of the same model pre-pregnancy which sort of shows what I mean a little clearer:
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| Blame saline, not adolescent misogyny |
Here are the results of Monday's most recent session, three angles of the same pose:
I figured I'd be pretty rusty but these turned out better than I thought. This particular model, though a little fidgety, is one we've had a lot which may have helped.
The importance of life drawing is amongst the many things discussed with
Bill Plympton in the second part of our interview which is
now online. Following on from
January's Skwigly Podcast where we mainly chatted about his latest film "Cheatin'", this time around we go into the wealth of additional projects he's taken on in the last couple years, including segments for "The Simpsons", new short films and his restoration of the Winsor McCay short "The Flying House". It's pretty inspirational listening for those with an indie-filmmaking bent, so if you fit into that category I'd recommend you bung it on in the background.
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| "A Liar's Autobiography" - Not a Monty Python film, though you'd be forgiven for thinking so based on this cover... |
We also take a look at a particularly interesting UK contribution to the indie features scene, the multi-studio collaboration
"A Liar's Autobiography". Essentially a posthumous, quasi-fictional biopic of Monty Python's Graham Chapman, it came together last year with the involvement of fourteen animation studios, each working on separate segments that were edited into a single feature. While the end result is somewhat patchy it has some solid gags and inspirational visual ideas throughout. I was able to get a few friends who worked on it together to chat about the experience for the podcast -
Jane Davies (director of the
"Looshkin" short I did the music for) and
Leah-Ellen Heming of
A For Animation as well as
Matt Walker and
George Sander-Jackson of
Arthur Cox. Continuing the prevailing theme of recent Skwigly coverage, their segments predominantly deal rather joyously with cartoon sex, penis puppets and all. Here for your delectation is a snippet of A For Animation's bit:
Assuming that's whetted your appetite (amongst anything else of yours that requires whetting) you can
download the podcast now,
subscribe on iTunes or stream it below:
I figured I'd be pretty rusty but these turned out better than I thought. This particular model, though a little fidgety, is one we've had a lot which may have helped.
The importance of life drawing is amongst the many things discussed with Bill Plympton in the second part of our interview which is now online. Following on from January's Skwigly Podcast where we mainly chatted about his latest film "Cheatin'", this time around we go into the wealth of additional projects he's taken on in the last couple years, including segments for "The Simpsons", new short films and his restoration of the Winsor McCay short "The Flying House". It's pretty inspirational listening for those with an indie-filmmaking bent, so if you fit into that category I'd recommend you bung it on in the background.
