Podding Along

In episode 120 of the Skwigly Animation Podcast we welcome Ugo Bienvenu, who joins us to discuss his film Arco, out this month in UK cinemas. 

Also discussed: The increasing sneakiness of AI creators passing their content off as animation, adult fandoms of popular children’s shows, pleasing Oscar and BAFTA outcomes with wins for The Girl Who Cried Pearls (Dir. Chris Lavis and Maciek Szczerbowski) and Two Black Boys in Paradise (Dir. Baz Sells), Aardman‘s upcoming Shaun the Sheep: The Beast of Mossy Bottom, upcoming Cardiff Animation Festival highlights, the ‘social experiment’ of Konstantin Bronzit’s Oscar-nominated short The Three Sisters and we review the recent BBC series Small Prophets featuring animation by Ainslie Henderson and Will Anderson.

Animation Podcasts | Skwigly · Skwigly Podcast 120 - Spring 2026

Bedside Literature

I'm very excited to announce the official release date of the latest Skwigly book - Intimate Animation - by myself and the incredible Laura-Beth Cowley.

In recent years, there has been a surge in animated projects that have pushed boundaries, broken taboos, prompted discussions and wowed festival and online audiences alike through compelling storytelling and unmatched artistry. Join Ben Mitchell and Laura-Beth Cowley of Skwigly Online Animation Magazine and the Intimate Animation podcast as they take you on a tour of the landscape of contemporary animated films that deal with themes of love, intimacy, relationships, anatomy and sexuality – and the incredible artists behind them.

Through research and firsthand interviews with trailblazers such as Signe Baumane, Andreas Hykade, Ruth Lingford, Michaela Pavlátová, Bill Plympton and Joanna Quinn, as well as newer voices including Sawako Kabuki, Renata Gąsiorowska, Will Anderson, Sara Gunnarsdóttir, Michaela Mihalyi, David Štumpf, Levi Stoops, Lori Malépart-Traversy, Anna Ginsburg, Veljko Popovic, Joseph Wallace, Renee Zhan and more, Intimate Animation looks deeply at how animation has been used to present elaborate and complex concepts relating to love and sexuality.

Exploring the role animation has played in sex education, self-discovery, the body, lust and love, as well as how the medium can be used to visually represent emotions, feelings and concepts not easily described in words nor depicted through live-action filmmaking, Intimate Animation is the ideal book for professional animators, filmmakers, enthusiasts, researchers, academic and students of animation and film studies interested in the themes of love and sexuality.

The book will be released March 27th and is available to pre-order now (use code LP96LCNPH at checkout through this month for a whopping 20% off!)

Autumnal outings

Some events comin' up for ya. The Linoleum Contemporary Animation and Media Art Festival's I'M FINE! programme put together in collaboration with Skwigly is getting itself another screening in Lviv this Friday, November 24th. This one will be happening 6:30pm at America House and is completely free. You can register for it here.

On that subject, the fourth I'M FINE! podcast minisode from our filmmaker Q&A sessions is online now (stream/download), featuring insights from Konrad Hjemli, Jakob Eiring (Pandiculation) and Anna Samo (Conversations With A Whale).

Another event coming up that I, in all honesty, had just about nothing to do with is the premiere of Ainslie Henderson's Shackle, which will get its first public outing at London International Animation Festival on Nov 25th. Laura-Beth played a significant part in developing the eye mechanisms of the puppets and, frankly, I'm a pretty big Ainslie fan so I felt like giving it a shout-out. Also screening will be the feature-length mixed-media documentary A Cat Called Dom by longtime collaborator and Shackle producer Will Anderson, as well as Will's short film Betty. It starts 6:10pm at The Barbican and all told it looks to be a great way to kick off the festival, so check it out if you're in the city.

Speaking of Laura-Beth, which we sort of were, there's another chance to catch her recent short film Crafty Witch (on which I slapped some post-FX and noises) as part of the Cardiff Animation Festival touring programme of 2022 award winners. If you're in or about Milford Haven on the 30th swing on by the Torch Theatre for 8pm (more info here).

A little earlier than that, on the 25th Crafty Witch (or Ravasz Boszorkány) will get a Hungarian screening at the Anilogue International Animation Festival in Budapest. It will be part of the micro-shorts screening Ultrarövid Animációk that takes place 8pm at Toldi Art Mozi. Grab your passes here.

Accentuatin' the positive

A couple new podcasts for ya, both a bit different from the kind of stuff we usually do but definitely worth a listen. In the latest episode of Animation One-To-Ones I'm joined by Cardiff-based animator Lauren Orme, who previously appeared on episodes 80 and 93 of the Skwigly Animation Podcast. In this latest episode we talk about the ways in which she has steered both Cardiff Animation Festival and her animation studio Picl in a more eco-conscious direction while also actively researching practical and practicable solutions for combating the increasingly concerning realities of climate change.

The latest endeavour of Lauren’s is the newly-launched Planet Positive Animation Network to help animation, VFX and games companies and freelancers become environmentally sustainable and help us reach net zero sooner. You can watch the interview above or stream below (or download here).

While the new network will be hosted digitally, CAF has plans to run events enabling members to meet and share ideas in person. CAF is also sharing resources on their website, and is offering a consultancy service for animation companies who want a little more help reaching net zero or becoming environmentally sustainable. 

We've also popped up the first of a four-part series of special podcast minisodes for the I'M FINE! project we've been presenting with the Linoleum Contemporary Animation and Media Art Festival. Taken from the Q&A panel sessions that accompany the screening programme, these feature artists sharing their experiences and insights into mental health, burnout and staying motivated as animation filmmakers. In episode 1 we hear from Will Anderson (The Making of Longbird), Anna Mantzaris (Enough) and Margarida Madeira (Playing Death). Stream down there or download right here.

I’M FINE! will be available on the MEGOGO media service during the LINOLEUM festival, which will be held online from 7 to 11 September.  Follow the news of the project on Skwigly, at linoleumfest.com, on the festival’s Instagram profile or at the I’M FINE! Facebook event page.

Seriously, where's the butter?

Well hey there, gang. Hope your August has been positively majestic.

Been a quiet spell for Speed but we've got ourselves a couple September screenings comin' up. First up is the 16th edition of Breda's BUT B-Movie, Underground & Trash Film Festival over in the Netherlands. I've always had a soft spot for these folks going back to when they screened my old student short House Guest in 2009; more recently they gave my 2018 gore-fest Sunscapades an airing and it's reassuring to know that, six films in, I'm still pretty trashy. This looks like a hybrid festival and Speed will be part of the Shorts Block 2: Mean Girls with the physical screening taking place September 5th 7:30pm at the Nieuwe Veste arts centre. Alas the online program is only available to locations in the Netherlands, but if you're so geographically blessed you can find out more at their website.

Later in the month will see the 10th anniversary edition of FIFIGROT Festival du Film Grolandais over in in Toulouse, France. Speed can be seen in Au bon moment as part of their Bar-Bars Cine-Bistrot et concert programme on the 24th September 8:30pm at O Bohem. Check out their full programme here.

In our latest episode of Intimate Animation Laura-Beth catches up with Will Anderson, whose film Betty was just released online this month following a festival run including screenings at Pictoplasma, Encounters, Animafest Zagreb, GLAS and PÖFF Shorts as well as a BAFTA Scotland win and Scottish Short Film Award at the Glasgow Short Film Festival. As with all of Will's films it's funny and unique as well as being genuinely quite touching. This was one of my favourites of the last couple years and I was privileged to get to screen it as part of Cardiff Animation Nights back in March - definitely give it a watch and have a read of Laura-Beth's longer interview from around this time last year.

Also discussed in this episode: The evolution of Lisa Hanawalt's Tuca and Bertie having moved to Adult Swim for its second season, BlinkInk's E4 miniseries Blind Love on First Date Island, Adeena Grubb's stop-mo short Dating is Shit, Sacha Beely/Strange Beast's animated Gillette spot A Song For Pubes and Diablo Cody's inscrutable “sexying up” of The Powerpuff Girls. Stream above or download 'ere, why doncha?

Lastly it's worth a mention that my book Independent Animation is again available to nab at 20% off as part of the publisher's Social Science sale. In fact for the next little while you can whack that discount all the way up to 40% if you enter the promo code X001 at checkout. Not too shabby, eh? You have to buy it from Routledge, mind, but they cover your shipping so why the ever-lovin'-heck wouldn't you?

Sexy sexy talk about sexy sexy sex innit

Laura-Beth and I have this week wrapped our third season (in the loose sense of the term) of Intimate Animation, our podcast series on animation that deals with themes of love, relationships and sexuality.

In this episode we meet Nadja Andrasev, whose film Symbiosis tells the story of a betrayed wife investigating her husband’s mistresses who finds her jealousy is gradually replaced by curiosity. Having premiered internationally at last year’s edition of the Annecy festival, the film has gone on to win a multitude of awards including the Zlatko Grgić Award for best first film made outside of an education institution at Animafest Zagreb this month.

Also discussed in this episode: Recent animation festival highlights including Betty (Will Anderson), Nox Insomnia (Guy Charnaux), Sex Moves (Alex Bernas), For Baby’s Sake (Emma Lazenby), Altötting (Andreas Hykade), Just A Guy (Shoko Hara) and Cwch Deilen/Leaf Boat (Efa Blosse-Mason) as well as BlinkInk/Zombie‘s recent animated spot Love Story for Viagra and J.G. Quintel‘s new series Close Enough.

Direct download link is here or you can stream below if you please:

Animation Podcasts | Skwigly · Intimate Animation 3-06 (07/10/2020) - Nadja Andrasev

May Days

Sunscapades appears to be trundling merrily along with a batch of screening events lined up through the summer. I don't have firm info on all of them yet but there are a couple coming up this month that seem to be set in stone. Firstly it will be screening at the rather magnificent Anifilm International Festival of Animated Films in Třeboň, Czech Republic as part of a special late-night screening (this is becoming a bit of a recurring - and welcome - theme) Midnight Animation: Blood. This will be Friday May 10th 11:30pm at the Světozor Cinema.

A week later it will be in the similarly-themed Late Night Bizarre programme that takes place during the Australian International Animation Festival, alongside some new work from the likes of Will Anderson, Peter Millard and Jodie Haslam as well as some familiar recent shorts I'm quite fond of such as Lorenz Wunderle's Coyote and recent Skwigly interviewee David Barlow-Krelina's Caterpillarplasty. It looks like a fun one but if you can't make it to Wagga Wagga I get the impression the screening itself will be playing at a couple other fests down under in the near future.

At the end of the month the 15th Detmold Short Film Festival will kick off, assuredly with Sunscapades somewhere among the line-up although no specifics just yet (update to follow). This marks my third inclusion at Detmold following the selection of The Naughty List in 2011 as well as being one of the small handful of fests that gave Ground Running a punt the following year, so I've got a bit of a soft spot for 'em.

Box Trawls

Our Skwigly guest spot at the London Animation Club earlier this week was a massive success. Thanks to everyone who came out and especially to Martin again for having us, hopefully you all enjoyed it as much as we did! For those who weren't able to make it I got the impression some of it was filmed and I believe that will go up at some point down the line, so keep checking their website.

In the meantime I've uploaded a special Lightbox compilation video I edited together as part of our presentation. It's impossible to do a complete 'best-of' in 20 minutes but this I think gives an impression of the range and scope of our coverage, from emerging up-and-comers to established Oscar-winners.

The video features snippets our chats with Mikey Please, Dan Ojari, Robert Kondo, Dice Tsutsumi, Bill Plympton, Torill Kove, Will Anderson, Ainslie Henderson, Will Becher, Patrick Osborne, Kristina Reed and Jeff Turley. Don't forget you can watch all of their interviews plus many more in full over at our official channel.

For those of you based up North, I strongly urge you to check out This Is Not A Cartoon, a new Skwigly venture in association with the BFI Film Hub. The events have been programmed primarily by Jen Hall of Manchester's Cornerhouse/HOME, the first of which taking place April 24th at the Stoke-on-Trent Science Centre featuring a live Q&A with the aforementioned Ainslie Henderson, director of Monkey Love Experiments and I Am Tom Moody. For more info on the programme and upcoming events head over to the website.

Nom Nom Noms

The Oscar and BAFTA nominations for 2015 have now both been announced, which I've taken as a cue for a bit of reflection on some films of note.
Leading the charge are Dice and Robert of Tonko House, whose film The Dam Keeper is an astounding concept-art-come-to-life piece of work. If asked to put together a 'Top 10' list of the best films of the past year it'd easily be amongst them. Proof of which is viewable at Revue 24 Images, for which I (along with numerous other more accomplished critics and curators) was asked to put together a 'Top 10' list of the best films of the past year. See, I zigged when you thought I was gonna...well, zig probably.
If your clicking finger is broken then the other films I picked are:

Coda (Dir. Alan Holly)

The Missing Scarf (Dir. Eoin Duffy)

Poils (Dir. Delphine Hermans)

Lost Property (Dir. Åsa Lucander)

Timber (Dir. Nils Hedinger)

La Petite Casserole d'Anatole (Dir. Éric Montchaud)

Duet (Dir. Glen Keane)

The Planets (Dir. Andy Martin)

Wackatdoo (Dir. Benjamin Arcand)

The lists were compiled by Marco de Blois who, amongst other laudable animation-related activities, is the main programmer for Quebec's Sommets du Cinéma d’Animation. As this Cartoon Brew article makes clear, one thing I can't be accused of is going with the crowd. That being said, many of the other critics' favourites would easily make my top 20 (also some folks cheated a bit and picked films from the year before, but what am I, the list police?). In fact, for the sake of why-the-hell-not, here's my next ten favourites of last year:

Submarine Sandwich (Dir. PES - this one would've made the original list but was released just after)
Monkey Love Experiments (Dir. Will Anderson, Ainslie Henderson)

Symphony No. 42, Réka Bucsi
Pilots on the Way Home (Dir. Priit Pärn, Olga Pärn)

Phantom Limb (Dir. Alex Grigg)

Me and My Moulton (Dir. Torill Kove)

Things Don't Fit (Dir. Tim Divall)
Montenegro (Dir. Luiz Stockler)

The Weatherman and The Shadowboxer (Dir. Randall Okita)

365 (Dir. Brothers McLeod)

Give those all some investigation, my lovelies. Anyway, our first Lightbox of 2015 is on the making of The Dam Keeper. Seriously, if you haven't come across this film yet at all, treat yourself to a peek here:

You can also hear more from Rob and Dice in episode 25 of the Skwigly Podcast.
Also in the running are Daisy Jacobs, Joris Oprins, Disney with Feast and, happily, Torill Kove of the NFB, who I interviewed during the production of the film.
Aside from the comparatively indie Song of the Sea, the feature film noms were all fairly predictable. Though I'm not so up-in-arms about The Lego Movie being ignored I would've loved to see Bill Plympton's Cheatin' and Signe Baumane's Rocks In My Pockets in with a shot. Que cera cera. Fortunately this arrived today so I can start my weekend off right:

Going back to the shorts, Alan Holly's Coda really stood out to me last year and I urge everyone to keep their eyes open for it:

That this film and Glen Keane's Duet (admittedly more successful as an interactive experience) didn't make the nominations is a massive shame - I've yet to see Plympton's Footprints but I'm sure I'd feel similarly - massive kudos to them at any rate for getting shortlisted.
Also worth mentioning that amongst the BAFTA noms was Will and Ainslie's Monkey Love Experiments, which has already won itself a Scottish BAFTA but one more wouldn't hurt.

Fantastic stuff from those two, though this one will probably remain my favourite for a good long while:

Cotton Anniversary

It seems like only two years ago that we began the Skwigly Animation Podcast, mainly as it has. So my time perception is functioning highly, which is nice.

This month's entry also marks our twentieth episode and doesn't disappoint on the guest front, with Steve chatting to the spectacular The Eagleman Stag director Mikey Please on his new film Marilyn Myller while Laura-Beth brings us some insight from Ainslie Henderson on his crowdpleasing short I Am Tom Moody as well as his collaborative work with the equally-talented Will Anderson. Also featured are Vivien Halas, currently in charge of preserving the legacy of UK studio Halas and Batchelor, and BAA sting winner Jack David Evans.

Also marking the anniversary is a slightly-tweaked version of our Selections From the Skwigly Podcast compilation I originally put together for a promotional CD last year. Featured on it are some of our most noteworthy guests from the first year, including Peter Lord, Genndy Tartakovsky, John Kricfalusi, Bill Plympton, Billy West, Brian Cosgrove, Barry Purves, Robert Morgan and Signe Baumane among others. Since then we've been privileged enough to get such equally notable talents as Eric Goldberg, Adam Elliot, Joanna Quinn, Richard Williams, Chris Landreth, Daniel Sousa, Chris Shepherd, Jerry Beck, Michaela Pavlátová, Lauren MacMullen, John DiMaggio, Richard Starzak, Kirsten Lepore, Daniel Greaves and Marc James Roels, with many more lined up for the rest of this year. I'm pretty proud of what we've managed to achieve and that we've stuck with it rather than let it peter out, which has been the fate of a lot of similar endeavours out there.
All of this is irrelevant, however, as for the third time in five years everything in my life has to take a back seat to the news that, once again: FAITH NO MORE are back!

Granted, it's a support slot, but I'm not exactly going to sniff at getting to see Black Sabbath as well, am I? Or Lemmy, fer chrissakes?
Okay, I get it, I'm old. But in my defense, these bands were already old when I was a kid, so I'm not that old. Just an old soul. A merry old soul.

Oy, with that white balance...

 

One of the lingering Skwigly projects I finally knocked on the head during my time away (mainly by scrapping the laboured first attempt and doing a simplified re-edit from scratch) is our first proper documentary covering the animation scene of 2013. Given it's a pretty mammoth event, the first doc is centered entirely on the Annecy International Animated Film Festival which myself and Steve visited last summer.

I'm pretty proud of the amount of coverage we managed to get done and it's one of the most longform video editing projects I've undertaken in a good long while. Given that it was shot using basic, high street HD camcorders I think it comes off as pretty watchable. While some higher-end technology might bolster the slickness of this type of video, really it's the talent of our interviewees who agreed to be involved that sells it. The line-up includes Marcel Jean, Eric Goldberg, Lauren MacMullan, Robert Morgan, Isabel Peppard, Ainslee Henderson, Will Anderson, Bill Plympton and Chris Landreth, with contributions from Corrie Francis Parks, Kris Genjin, Robbe Vervaeke, Jamie Badminton and Sarah Gomes Harris.

You can stream it online or direct download it, either way if you enjoy it please share it around as I'd love for this to be one of the strands of what we do that has the opportunity to evolve. If nothing else, it should make you appreciate the podcast all the more for not having to look at these two creeps:

Ee-yikes...

Adventageous

As with last year we at Skwigly have been implementing our online advent calendar where we showcase a particularly impressive animator/illustrator each day in the lead up to the 25th. They're all smashing so head on over to the front page of the site and check them out. Here are a smattering of what's gone up so far to whet your whettable bits:

Will Anderson

Jurate Gecaite

Bianca Ansems

Can't Be Bothered Man

Brothers McLeod

Leah-Ellen Heming

We've also joined forces with Corrie Francis Parks who's brought her own Advent Animation Showcase to Skwigly this year, shining a spotlight on a different seasonal short each day (and having the good manners to pimp my own holiday short so I don't have to a fourth year in a row...oh wait, I guess I just did).

Interestingly enough, this year has seen a surge in similar online advent ventures, one of which being Jonti Picking (aka Weebl)'s calendar which I've done a couple of mini-animations for:

These were knocked out in roughly a day each, so as with the HuHa shorts the animation was super-simple and a lot of fun to design. Although the kid in the second one is doubtless plagued by the ennui of being designed by a grown man who's watched way too much Powerpuff Girls and South Park: