This here's one of those procrastination posts, the kind that keep me from getting on with the crop of proper, important stuff I have laid out for the rest of the evening.
I'm gonna go ahead and come clean, the blog's gonna be pretty sparse for the next little while. Aside from
Skwigly roundups like
documentaries and
podcasts, since the
Channel Flip contract ran its course I've gone back to working on projects that can't be publicly discussed. As far as personal projects go, there's always stuff on but I feel like some streamlining needs to be done. I recently sat down in front of Excel and put together a grand master plan to see if I could tie up all the loose ends I have as far as unfinished projects by the end of the year. The conclusion, in short, was "No effing chance."
Nothing new about this. I'm a habitual bite-off-more-than-I-can-chewer, always have been. For every five things I set myself, if I can get two done it's a minor miracle. I guess on some subconscious level I've adopted the approach from my musical hero, entrepreneur and
sometime anger sphere Mike Patton:
Study the above video well, mainly the bit before the awfulness of Wolfmother deservedly gets a dressing down. Let's recap the upcoming projects he lists from about seven years back:
•"A couple film soundtracks" - these you gotta give him, as he's scored three feature films and an indie short in the years since.
•"A record of 60s Italian music with an orchestra" - this also
got done, came out in 2010 and is bloody great.
•"A record with Dan The Automator" - one assumes this is a project called Crudo, very little of which ever saw the light of day if it was finished at all.
•"A record with Amon Tobin" - Yep, this never happened
•"Me and Rahzel are gonna do a record" - If only, but nothing's appeared as of yet.
So that's two out of five. Am I calling the man lazy? Hells no. I admire his proactivity, and one thing I myself have experienced many a time since this video was filmed is that lots of creative projects fall through for a multitude of reasons. Also, plans change; The Amon Tobin, Rahzel and Dan The Automator albums never materialised but instead we got three live DVDS (with Fantômas
, Melvins and Kaada)
, a third and fourth Tomahawk album, six Moonchild albums, an album with Ictus Ensemble and over twenty guest spots on other records. Oh, and he also had the good manners to rejoin Faith No More for a three-year reunion tour. He performs countless live shows, does voices for video games, runs his own
record label - the man's a busy sumbitch. Seriously, I don't understand why someone wouldn't be a fan, if you don't like one of his records you only have to wait ten minutes for a new one that sounds completely different.
So I doff my cap and try and take some cues from his attitude and overall approach as an artist. Not everything one wants to have happen will happen, but as long as you're enjoying the process, go for broke.
Obviously paid work comes first, but as far as things to attempt to get done in my free time, right now I have:
Bullies - fourth film which has been 'finished' since 2013 but still just doesn't quite hold together. If I tweak away at it much longer it's in danger of falling apart completely.
Speed - fifth film I don't think I've ever mentioned before, which is 'half' animated but, complicatedly, not completely written yet.
Throat: Book 3 - pretty much ready to go but waiting on final sign-off for the additional content.
Brain Scrapings - a second volume of sketches following on from
Brain Spillage
My Pretties - a compendium of character designs, a very limited run of which went out in 2011 but since the surge of design work last year brought in I'd like to put out a proper, updated edition.
The Birdcage - latest Struwwelpeter album that has been marinating since 2011 after the release of
The Book of Women.
Erica - first graphic novel since
Throat, although I'm contemplating releasing it as a miniseries of five 20-page comics first.
On top of all these is a potentially major project I have to bite my tongue about (which I'm referring to just as Project Group-Hug for the time being), remastered reissues of all my major musical releases in the past decade or so, an assortment of behind-the-scenes vids, promotional whatchimajiggery and the demanding mistress that is Skwigly, which in and of itself involves documentaries, podcasts, regular written content and the odd field trip.
So, which of the above will get done? Who the bloody bloodying hell knows? Irritatingly I have two more film ideas I really, really want to get started on now, but that would take an already ridiculous situation and make it outright farcical. Realistically the next few months will yield two more Skwigly documentaries which I've been having a blast putting together, the final volume of
Throat and, if I'm being super-optimistic, the final cut of
Bullies. Whether or not that means other stuff will evaporate remains to be seen. I hope they don't but I don't exactly shift enough units to suggest that the world would stop turning if they do.
So I'll be retreating for a while, to focus on the slog and poke my head out for podcasts and whatnot. On a sort-of related note, I'll be with Skwigly at this year's
British Animation Awards to get some coverage of the event, so knock wood there'll be a nice little featurette out of it next week sometime. If any of you folks will be there and I don't seem too squirrely, tap me on the shoulder and say hi.
One last thing, I recently found some source files for two EPs I put out in the lead-up to
The Book of Women, one in 2008, the other in 2010. Both feature a smattering of early versions/alternate mixes and I figured there'd be no harm reposting them on my
Facebook page. The physical versions of each have long since run out but they each come with printable artwork if you're old school and like your music in them shiny plastic boxes.
