June Shmune

A solid half-decade after it originally made its festival debut, I've finally put my fifth animated short Sunscapades online. It's a film I was initially quite proud of insofar as it came out exactly as I pictured it in my head, which is a rare thing indeed, but I grew a little conflicted about it for a few reasons I won't bore you with here. It had a nice chunky festival run either way, with stops including the BFI London Film Festival, LIAF, Encounters, LSFF, Just For Laughs, Sydney Film Festival, MIAF, Cardiff Animation Nights (twice! What a lovely bunch), Anima Brussels and a whole lot more. It was also an opportunity to work with the wonderful Weird Eye Collective talents Laura-Beth Cowley (producer and voice of Lily and Milly), Fiona Viani-Pericchi (voice of Billy) and Hannah Stevens (background paintings) and boasts some fantastic painterly contributions from Carwyn David, plus some spooky music courtesy of Phil Brookes. So give it a watch and let some sunshine into your lives:

Tomorrow night (June 22nd) I'm putting on another Bristol Animation Meetup (BAM) with my pals from Rumpus Animation and Sun & Moon Studios. This time we're congregating at the King Street Brew House from 7pm and I'll be shamelessly using the opportunity to have a quasi-launch of the new book.

You can have yourselves a merry little thumb-through and if you conclude it's a book you need in your life (as any rational person would) then I'm offering a special BAM-exclusive, mates-rates discount. As with every edition of BAM, all animation professionals, students, enthusiasts, fans and hobbyists from Bristol and the surrounding area – really anyone who fancies making the trek - are welcome.

Back to the book, check out the video above for a cheeky peek at what it looks like in hardback. Then spit coffee at your screen when you see how much the bloody thing costs. Ah well, some things just aren't in my control.

Things are busy as ever in the land o' Skwigly, so be sure to swing by and get caught up. On top of some great coverage from the team on indie hit Lackadaisy, Estonian masterpiece Old Man Cartoon Movie: Lactopalypse!, Star Wars Visions: Season 2, Spider-Man: Across the Spider-Verse, and Genndy Tartakovsky's new project Fixed, in the lead-up to the summer I've put out a trifecta of National Film Board of Canada coverage, looking at new work from Thao Lam and Kjell Boersma (Boat People) and the welcome return of previous Skwigly interviewees Janet Perlman (The Girl with the Red Beret) and Janice Nadeau (Harvey). Some other fun stuff coming up, so keep 'em peeled and be sure to follow us on our Twitter, Insta, Facebook and YouTube so you have a better chance not letting that pesky algorithm hide our goodness from you.

Okay, that's enough. Now be off with you.

Pale September

Good Lord, the time's whizzing by. We're pretty much at the end of the month and there's much by way of updateables, so tilt yourself at a nice comfy angle and let yourself be gently coated in news.
Firstly we at Skwigly recently did our annual Encounters coverage, this time around covering the festival's 20th anniversary edition which included some excellent events, guests and new films. You can have a read of my competition and special screening highlights as well as Laura-Beth and Julia's top picks of the fest.

Skwigly meet Glen Keane. Pic via Encounters Festival

One major perk across the board was getting to meet Disney veteran Glen Keane, a legendary chap responsible for some of the studio's most iconic contemporary characters who's recently partnered up with Google to create the jaw-dropping interactive short Duet. Expect to see some brilliant insight from the man up on Skwigly in the not-too-distant future.
Another special guest of the festival was Yoni Goodman, who presented the Ari Folman films Waltz With Bashir and The Congress, both of which he served as Animation Director on. I managed to catch The Congress at last year's Sommets du Cinéma d’Animation (you can read my review of it here) and was glad to get a second chance to watch it as there's a great deal to take in. I have some ambivalence toward it as an overall film but visually it's mind-bending and, at times, truly inspired so I'm very glad I got some time with Yoni:

On the subject of Lightbox, last week's episode featured Canadian filmmaker Janet Perlman, whose relationship with the NFB goes back almost 40 years. Her latest short Monsieur Pug premiered at OIAF last week and is a very nice piece of work, so have a watch and keep your eyes out for it:

On the more experimental side of the NFB animation spectrum is Michèle Cournoyer, director of The Hat and Accordion whose most recent short Soif is an equally no-holds-barred affair, exploring the tragedies of alcoholism. The film also played at OIAF and got an honorable mention, you can read more about it and Michèle's work in our interview which went up this morning.

Also up today is our latest Skwigly Podcast, featuring extended interviews with LAIKA President Travis Knight (The Boxtrolls) and Yoni Goodman, as well as a chat with Jesse Cleverly of Wildseed Studios, a Bristol-based initiative for the development of new animated series pilots. Download, subscribe or stream below:
Laura-Beth also chats about her recent involvement with Animation Toolkit's first crowdfunding endeavour Pooch Proposal. The campaign has gone live as of this week, I lent a hand in putting the pitch video together and I recommend you all check it out. Should it go ahead there's some brilliant talent involved and the incentives are excellent, especially for prospective stop-motion animators in the market for high-end, professional grade armature kits:

You can also follow Pooch Proposal on Twitter and like their Facebook page for regular updates and behind-the-scenes goodies.
Another shout-out goes in the direction of Rumpus Animation, whose video game project The Adventures of Bertram Fiddle is soon to be released and currently up on Steam Community for a chance to get picked up. Head on over to their Steam page and give it a vote as it's sure to be a good'un and I hear tell it has some mind-blowing voice talent involved.

I like the guy on the left. Can't explain why, I just get a good vibe off him..